Joe on Melody
Mount Baker
Joe on Melody
Ute Bill Thompson

Grand County Colorado

History Article Library

 

Explore the History & Culture of Grand County Colorado

Welcome to the Grand County Historical Association (GCHA) stories page!

 

GCHA operates four museums located in Grand County, Colorado: the Cozens Ranch Museum, the Emily Warner Field and Aviation Museum, Heritage Park, and Pioneer Village. Visit https://grandcountyhistory.org.

 

GCHA hosts a variety of events throughout the year, from exhibit openings, author talks, history treks, kids programs, special museum events and fundraisers such as the annual Taste of History. Be sure to subscribe to our Email Newsletter to get the latest updates about what’s happening. Visit the Events page for a complete listing of scheduled events.

 

You'll find over 200 stories to explore for research and inspiration. Let us know if you have an idea or a comment on any of the articles written by over 30 volunteers. Send us a note on the contact form.

 

This website is managed by the Grand County Historical Association. For more information, contact Dede Fay at dedefay@hotmail.com.

 

Articles to Browse

Topic: True Crime

The face of the 1883 Grand Lake Commissioner Shooting

By Amy Ackman Project Archaeologist - 2018

I work in Cultural Resource Management (CRM), which means I document any man-made occurrence that is 50 years or older. I’ve recorded anything from prehistoric stone tools to 1940’s cans and glass. As a CRM archaeologist, I’m a data collector. Our job is to protect the archaeological record by gathering data and determining the significance of it.  In 2011, I worked on a project near Jensen, Utah, just across the border from Colorado. During this project, I came across an unmarked grave. There was a headstone, but no name. I eventually found from historical documentation that the grave was that of a man named William Redman.

Redman was the undersheriff who took part in the Grand County Shooting of 1883 that involved three county commissioners, a county clerk, and the sheriff. Three men died during the shootout, two men died of their injuries after the fact, and the sheriff committed suicide out of guilt. Two weeks after the incident, Redman was the only living participant. He was on the run from the law and actively hunted by the Rocky Mountain Detective Association. A full month after the shootout, Redman was found dead in Utah at the side of a road with a bullet in his head.   

I knew Redman was part of the Grand County Shooting and poured over any sources I could get my hands on; books, websites, newspaper articles; any tidbits of information that might answer questions. Like a detective, I wanted to understand how Bill Redman was involved in the gunfight and how he ended up in Utah.  I found the story and a picture of William Redman and I was ecstatic that a site I had recorded was associated with such a tale.

William Redman was ruggedly handsome with high cheek bones and pronounced jaw; the clothes and countenance of a miner. The more I learned about him, the more questions I had. How old was he when the photo was taken? At a time when it was such a privilege to have a photo taken, why is there a photo of him and not other prominent men in the county? I wondered about his motivations. Was he the ruffian newspaper articles touted him to be?  Archaeology is about understanding the past. Most of the time we are forced to interpret the past with only a few pieces of material that are left behind. The more material and data we have, the more we can understand.

In the case of William Redman, there are questions surrounding his death that give rise to the possibility that the man in the grave is not Redman at all. If the opportunity arises to excavate the grave, his photograph will assist in his identification.  Archaeology not only studies the past but works to preserve the past for the future. Now, I hope that a family member of yours is never being researched by an archaeologist for being a ruffian and a murderer. But, like an archaeologist, I would encourage you to preserve as much as possible for those in the future who would care to learn about the past.

Rundell & French - Two families of the Sheephorn

October 2009

Here we have a story of two families, who became intertwined in a far away place where there weren't too many people. In fact, there was only a handful.  Three young fellows, the Rundell boys, came from Wisconsin about 1880, to settle on the Sheephorn, an area in the very southwest corner of Grand County.

Al, the oldest brother, chose land on the Upper Sheephorn.  While he was at it, he established a much-needed ferry across the Grand River at today's Rancho Del Rio.  His brother Clarence homesteaded land on the same stream some two miles above the Midland Trail, known to us as the Trough Road. The only home he could afford for a couple of years was a dugout under the creek bank.  That tended to be damp and dingy, but Clarence hung in.  Finally he was able to build a cabin uphill from the stream. Newspapers used as insulation on his cabin walls show the year to be 1882.  Clarence was pleased with his house.  "Now I feel I've really put down roots and am here to stay!" he exclaimed.

Their young brother, Ernest, was frail, for he had suffered all his life from lung trouble.   Still, he loved working with Clarence.  One summer, they were digging a water ditch near Azure, on the Grand, above Radium; Ernest caught pneumonia and died. The poor boy was only about sixteen. Clarence never got over his brother's death and he gave land for a cemetery, where he buried Ernest, the first person there.

The second family were the Rundell boys' neighbors, Charlie French and his older brother, Harry, Jr. who had "hit town" from Iowa just about the same time.  Harry homesteaded upstream from Clarence and anticipated ranching.  By and by, though, Harry remarked to Charlie, "I've discovered I'm not much of a hand at ranching and besides, my land isn't very fertile.  I think I'll sell it and become a U.S. Forest Ranger instead.  If they'll have me." He easily passed the test and soon transferred to the little community of Azure.

Now, Charlie French was a wonderful musician, a whiz at playing the fiddle.  He missed making music with their sister Phoebe.  "You know, Harry," he said one day.  "I'd really like Phoebe to come out and see this country. I'm sure she'd like it.  And besides, we could play together again."

He urged her several times to come visit.  At last she agreed, traveling by train to Leadville, then to Wolcott.  About then, Charlie started to worry.   "Phoebe's only 18," he thought, "and she's such a lady. Is it proper to expect her to ride sidesaddle all the way in from Wolcott?"  He stopped by to see Clarence Rundell.  "Clarence, do you suppose you could take your buggy to Wolcott and pick up our Phoebe?"  He explained the circumstances. "Why, I'd be delighted," answered his friend.

It was a happy development.  At the station Clarence saw a lovely young woman, tall and slender, obviously well-educated.  He soon found she had a beautiful soprano voice and was an accomplished musician who could play both piano and organ.  He took to Phoebe right away, and she, to him.  It wasn't long before the two decided to marry.

Now the French boys' parents, Harry, Sr. and Mary, sold their Iowa farm about now and homesteaded at Azure, to be near their boys, even though Charlie left the country soon after.  Here the old folks remained for many years.  They also had some land up the Little Sheephorn, which they gave Phoebe as a dowry, when Clarence and Phoebe decided to wed.  Shortly after, the happy young couple married and made the little cabin their home.

Their three children were born here, Ernest, named after the brother who died, Marie, and Helen.  Clarence worked very hard, ranching in the summer and cutting logs in the winter.  The young folks were thrifty.  In 1908, Clarence sold his homestead to a Swiss newcomer and bought land above his original site. By 1912, Clarence and Phoebe built a fine three-story house, complete with beautiful hardwood floors.  It was wonderful place to raise the children.  "This will surely be our home forever!"

Harry French, Sr., died in 1924.   "Mother," invited Phoebe, "move in with us, since you're alone now." Mary did this, but then she returned to Iowa to stay with her sister, until her death.  The French name continues on, however, for there are two French Creeks in the Sheephorn area.

Finally, the Rundells decided to buy a home in north Denver and to invest in an apartment house.  All went well until 1928, when everything fell apart at the beginning of the Depression.   Clarence lost nearly everything. "Let's go back to the ranch, Phoebe," he said.  "I still have my 300-400 head of cattle; I know ranching and love it.  Let's go."  Thus they left city life and returned to their ranching roots.

Stafford Family

James "Jimmy" M. Stafford was born in 1849 in Wexford Ireland. Jimmy immigrated to Leadville in the 1870's to work in the booming silver mines. In Leadville, he met and married  Deborah Helen Acey (born 1846 in Trenton New Jersey) in 1880.  In the 1880's the couple moved to Dillon and then homesteaded the Stafford Ranch on the Blue River at Spring Creek Road. Jimmy built their home by hand carrying logs from Green Mountain.  They had one son, Frank Elmer Stafford, born in 1886. Jimmy and Deborah also operated the stage stop, boarding house and saloon called the "Halfway House" between Kremmling and Dillon on Highway 9.  It remained in operation until the stage lines ceased in the early 1900's and the buildings were dismantled in the 1940's.  

Frank went on to marry Alice Smith in 1909 and they had six children, including their first, a son, James Elmer, who died at age 8 in the worldwide flu epidemic of 1918. Frank and Alice built the Stafford General Store, directly across from the "Halfway House".  Frank was instrumental in installing the first telephone lines in the area and served as Grand County Commissioner from 1928 to 1936 and as County Commissioner from 1948 until his death from injuries in a car wreck in 1950.  Alice was called the "Blue River Belle" and kept the general store until 1960.  Alice lived in Kremmling until her death in 1969.  

 

Topic:

Transportation

How did people travel to Grand County?  How did they get around? Click on the drop-down menus and take a little trip through history...

Christmas at Fraser

The lights dimmed; mothers had already found their seats after coming from the classrooms where they had put makeup on little children’s faces and checked their costumes to make sure angel wings and halos were secure and costumes were on right side round.  I was at the piano, music and script lined out. The gym was full to the brim, every seat taken, with folks lining the sides and back walls, for the whole town had turned out.  Early birds got the seats!  Christmas wasn’t Christmas in the Fraser Valley unless it included the program at Fraser School (now the Town Hall).   I began the overture and chatter stopped.   I had played for this event for ages, starting in 1958.  High school students were gone by then, moved to the new Union High School in Granby, but 7th and 8th graders were still there.  And in 1958, the first kindergartens in the district were established.   It was a time of excitement and anticipation, of fun, and of panic? Well, no, not panic, for the teachers were beautifully organized. 

The program was chosen during October. Each teacher had a specific job. For instance, Martha Vernon, the art teacher, did sets.  Helen Hurtgen was responsible for dialog.  Edith Hill did costumes.  Nancy Bowlby was in charge of the music.  Others coordinated the whole.  And I played the piano, with Nancy sometimes accompanying me on her violin.  

Mothers were asked to contribute sheets and any fabric they could spare.  Patterns and material for costumes went home to be sewn into various sizes and shapes -- angels, gingerbread men, knights or royalty.  In the gym, we stitched on finishing touches, bright patches to decorate jester outfits, townspeople, and such, while watching various groups practice. Bits of tinsel became crowns, tinfoil turned into wands, cheesecloth into wings.  Lace scraps and sequins added color and “class.”   The budget was extremely minimal at first, but over the years, more money was directed to Christmas programs.  Instead of old sheets, we could buy cotton fabrics, velveteens, sometimes satin.  One year I even stopped by a furrier’s in Denver and begged some fur scraps.  Were we uptown then!  We had fur trim around the necks, cuffs, and hems of the costumes for the prince, queen, and king.  

The day before the play, PTA mothers gathered in the gym to fill brown paper sacks with an apple, orange, nuts, and candies, provided by R. L. Cogdell from his grocery store.  

Every single child in school took part in the play, as a class, except for those with speaking parts, of course.  Fraser grew and grew, then as now. Soon the 7th and 8th grades moved to Granby.  Then the 6th graders went, but the 4th and 5th graders handled the leads neatly.  Our stories were usually simple Christmas tales, but sometimes we tackled ambitious efforts such as the Nutcracker Suite or a version of Gilbert and Sullivan.   The only children not included were the Jehovah Witness youngsters.  They couldn’t be in the play and they couldn’t come watch it either.  We all felt very sorry for them, because everyone had such a wonderful time.  Their teachers tried to give them special projects to entertain and interest them while they sat off in a corner or in their classrooms.   The plays always went well.  Tiny kindergartners came out onto the stage, to stand behind the colored lights.  They knew their song perfectly in practices, but I have to admit that a number of them usually stood silent, stunned by that mass of faces looking up at them.  No matter.  They were darling. “Hi, Mom,” some were sure to call. “Mom” beamed.  

There might be a glitch or two every year. For instance, little Diane was chosen to do the Arabian dance in Nutcracker Suite.  Her parents were dark, as she was, and she was slender as a dancer. Trouble was, she didn’t have an ounce of grace in her body at that stage of her life.  I thought Nancy Bowlby was going to have grey hair before she got that child moving properly.  But the night of the program, Diane looked like Anitra herself, doing her exotic dance.   One year the king jumped his cue and entered on stage.  His first words were, “Did I miss anything?”  The prince muttered, in an aside, “Yes, three pages!”  But the cast went on as if nothing had happened, while down at the piano I sat, flipping pages rapidly, trying to figure out where the dialog was now.  

Another year, our son James was to take part in a minuet.  “Uck!  I have to touch a girl?”  By the greatest good fortune, he broke his leg and got to be a guard at the palace door, standing at attention on crutches, while another boy took his place.  (I think he did that on purpose.)   Songs and parts were adapted to the talents of the students.  We had five boys once, who couldn’t talk, dance, sing -- anything.  So they wore monks’ costumes and filed on stage, supposedly singing a Christmas carol, but supported strongly by the cast present.   Another time, Twyla’s parents couldn’t come, so Miss Vernon took her home to get ready. Now, Twyla usually looked like a dirty ragamuffin, but after a bath and hair wash, she truly looked like the angel she portrayed.   For the finale, the entire school came on stage to sing a last carol, with the audience joining in.  Then Santa showed up to distribute the goodie sacks, and the great night was over.  Coming out into the quiet night was a wonderful feeling.  Sometimes we moved through drifts of new falling snow; sometimes the sky was filled with icy stars.  Gay lights showed in windows throughout town. 

We never talked much on the way home, as we thought of the play, the success of everyone¹s efforts, and how happy the children had made their parents and families.   My last program was the first year after the new school was built.  It was fun still, but the school population had grown enough that it was impossible for whole classes to participate as one. Things weren’t the same as they were in the little old school.

Topic: Ranching

Ranching in Western Colorado

Article contributed by Nichole Fuqua

 

Ranching in western Colorado first began in 1866 when Texas cowboys began moving cattle into western Colorado. With this rising growth of cattle into Colorado, ranching was forever changed and became a natural part of Colorado's society.

Although the idea of establishing cattle operations in the mountains did not appeal to many, the cattle and ranching industry in western
Colorado began to flourish in 1882. Three causes greatly influenced this move. First, the flat grass lands from Texas to Montana were unavailable. Second, the Ute Indian tribe were being run out and soon removed from the mountains of Colorado. Third, the grasses in western Colorado were abundantly nutritious, especially in the autumn.

 

When cattle ranches first began, it was organized chaos. Up until the 1930's, all of the land used by cattle ranchers was open-range land. During the winter months the cows lived in the lower valleys where snow accumulation was small. Once spring began the cows were then rounded up and moved to the high mountain tops. This spring round up usually took place in the early part of June, between the first and second hay cutting. The main goal of the spring round up was to gather and sort all of the cattle into their respective herds; unfortunately many herds intermixed because of the open-range. Along with the sorting of the cows, the calves that had been born earlier that spring were branded.

 

During the open-range era, brands on cattle were very important. Brands were used as a marker to distinguish between herds. Today, branding is still used along with ear tags. The fall round up usually began in the early fall and was completed in stages. The first stage, involved the gathering up of cows that were going to be sold at the market. These were the first to descend from the mountains. The rest of the cattle were then taken down from the mountain and released into the lower valleys to live during the winter months. The 1930's ended the open-range era which also brought an end to fall and spring round ups.

 

Family life on a cattle ranch was very different from normal life in a town. The cowboy's job demanded a lot of devotion and self motivation. The men of the family were often away from the house for days sometimes weeks at a time moving and tending to the cows.

 

The women of a cattle ranch lead very isolated lives. During the winter months traveling was unheard of. Once the snow began to melt the water's run off caused creeks and rivers to overflow, which caused traveling in the spring to be tough.  During the summer and early fall, gardening, food processing, house keeping, raising children, and the general ranch duties kept a woman busy.

 

The children of a cattle ranch were treated very maturely. By the age of five to the age of twelve kids were considered miniature adults. By the age of thirteen or fourteen most kids were able to perform heavy labor tasks around the farm. Ranch families exhibited very strict discipline toward the children of the house and felt very strongly in a child's education.

 

Cattle ranches are still found all over western Colorado. The attitude has changed throughout the years since the first cattle ranch began but some of the same traditions still exist. 

 

Sources: Reyher, Ken. High Country Cowboys. Montrose: Western Reflections Publishing Company, 2002.

Peters, Aaron. Cattle Drives & Trail Drivers. 2003. 8 Mar. 2008 http://www.co.wilbarger.tx.us/cattle.htm.

 

Religion

Article contributed by Betty Jo Woods

The first known white settlers came to Grand County about 1874 but there were no established churches for many years. The area even lacked circuit riders and camp meetings so typical of many other parts of the West.

The first building used exclusively for a church was probably an Episcopal church in Grand Lake, erected in 1896, but used sporadically during summers only. An Arapahoe Indian who was an Episcopal priest held occasional services in that town.

The First Congregational Church of Hot Sulphur Springs was dedicated in 1904 and other churches were also established about the same time in Kremmling and Fraser. 

Sunday School activities along with special holiday services and women’s activities seemed to be what provided continuity to worship efforts. Curiously, at one time a local newspaper carried weekly Sunday School lessons.

A Greek Orthodox church was built in Hot Sulphur Springs for the many of that faith who visit there. A major growth spurt developed during the last quarter of the 1900’s when older buildings became overcrowded and residents, long-term and recent, decided to commit time and money to new church buildings. In 2004, 28 churches were listed in the telephone directory.

Sources:
R.C. Black, Island in the Rockies. Pruett Publishing Company, 1969
Grand County Historical Association, Volume XV, Old Time Religion Early Churches, Grand County. Egan Printing Company, 2000

Topic: Biographies

Ute Bill Thompson and His Memorial Marker

Dark clouds covered the Continental Divide as we looked east from the ridge leading toward Elk Mountain's remarkable view. Cool winds and spitting snow followed us. We weren't seeking the height of Elk Mountain, but instead, were tracking the historic path of Grand County Pioneer William Jefferson "Ute Bill" Thompson. Specifically, we wanted to locate the memorial marker for Ute Bill that Henry Grafke and Otto Schott placed along this ridge after Ute Bill died in 1926. 

Tracking Thompson requires divergent paths. On one hand, Ute Bill's early presence in Middle Park places him in an era when mountain men and Ute Indians shared the vast herds of elk and deer. Only a handful of hardy souls called Middle Park home when Bill Thompson arrived in the late 1860s or early 70s. On another hand, Thompson settled just east of Hot Sulphur Springs as a young man, where he carved out a cattle ranch that remains in his family today.  

Records prove he owned and operated a billiard hall, drove stagecoaches and established a homestead along the Colorado (then, the Grand) River. But tall tales and oral legends abound too, capturing hair-breath escapes, harrowing western adventures and the mischievous nature of a 19th century westerner. Looking through the numerous historic photos of Ute Bill at the Pioneer Village Museum in Hot Sulphur Springs leaves an impression of a capable trapper, businessman and rancher who textured his image with stories of western adventure. 

With Don Dailey - fellow historic trekker and great grandson of Ute Bill - along, I hoped to pursue the fact and folklore of Ute Bill. As Don pointed out an isolated cabin in the valley below, a Ute Bill tale from the Georgetown Arbitrator of September 1886, "as narrated at the time by one of the participants," captured my imagination.  

Bill Thompson breathed a sigh of relief. The rugged, hungry band of Ute in front of him smiled approvingly as his long black hair fell from his broad-brimmed black hat. A tense moment before, he'd worried about his future as the small band of Ute Indians led by Yarmony came upon his isolated cabin in Middle Park. Fact is, Bill Thompson's hair had just saved his life. Not bein' cut since the Sioux captured him as a child, it hung nearly to his waist.  

Bill was all set up for a Middle Park Winter, with supplies to last through the toughest stretch, when Yarmony and his band came along. Thompson cursed softly at himself for not payin' closer heed to their approach. "Figured they'd be out west by now," Bill muttered as he squared up to his guests. 

Speakin' through a mix of hand signs, broken Ute and English that most fellers in the mountain parks west of the divide understood well enough for basic communication, Bill impressed the band with his manly firmness and calm self-confidence. Then Yarmony spoke, "Beescits," was all he said. Bill hesitated to open his cabin supplies. "Why, them folks are so hungry," he thought to himself, "they're near certain to go mad if they laid eyes on my bacon and flour." At best he'd be without supplies at a risky time of year. "No biscuits, fellers," Bill said with as much certainty as he could muster, "barely enough food fer myself. There's still a shaggy buffalo er two fer the takin' and every feller's got the same chance." When Bill finished talkin' he looked Yarmony square in the eyes. He watched the headman's leathered face swing toward his rough-sawn cabin door thoughtfully. "Beescits," he repeated. 

Yarmony's band, snuggled in their elk skins and trade blankets, looked stoically at Bill. "Well," Bill said, throwing down his last ace, "seems you're intent on havin' my grub and I'm intent you ain't." Then, regrettin' it before he finished sayin' it, Bill raised the stakes, "Why don't we have us a shootin' contest fer it?" No immediate reaction caused Bill to wonder if he'd communicated clearly. Slowly, though, excitement spread through the crowd of Ute, as the entire band - from the pretty young girls to the big-bellies - looked to one feller. In front of Bill stepped a mountain-sized-Ute feller, creating a shadow as he approached. "Piah," the Ute whispered, breaking into a quiet chaos of conversations. Movin' quick and hopin' for some break, Bill scooped up his improved Winchester rifle as he threw off his broad-brimmed black hat so nothin' could obstruct his shootin' eye. Just as soon as his long black hair fell near his waist, the tense moment ended with a gasp from the Ute, followed by a welcome reception that meant more to Bill than any he recollected! Bill determined then and thar on never cuttin' his hair again! 

As he eased down the gun smilin', all them pretty Ute girls began paintin' his face and braidin' his locks. Bill was feelin' positively giddy about his good fortune. Decidin' he just might owe these hungry Utes a favor fer endin' a potentially tragic shootin', he led 'em to a nearby ravine where he'd been watchin' a small herd of shaggy buffalo. Now Bill Thompson figured he'd repay 'em with meat, and still keep his own supplies. Leavin' the Ute on a rise above the ravine, he sauntered down to the fresh buffalo trail just as he heard the thunder of hooves around the ravine's bend to the south. Settlin' into a remote stand of lodge pole pines, he sat right along the path of the rumblin' bison. Pickin' out his choices as they rounded the bend, Bill's Winchester boomed repeatedly, each shot bringin' down a fat cow or a young bull.          

Swaggering toward his kills, Bill was suddenly confronted by Sandy Mellon and Len Pollard, sneakin' along that ravine behind the buffalo. Not recognizin' Bill through all the paint and braids, Sandy thundered to Len that this Ute feller must "a stole Bill Thompon's gun," because there weren't many repeaters like his. Both their guns were trained on Bill.   Calmly, Bill broke the silence. "Don't over-reach yourself, Sandy." Yes sir, Sandy knew from the voice that this-here Ute feller in front of him was really Bill Thompson. That day, he became Ute Bill.  

Breathing hard to make the final incline, Don and I reached the point along the ridge of Elk Mountain where we expected to find the memorial. There it was, as we had hoped. After a hurrah for our success, we slowly read the plaque: "Hunting Grounds of "Ute Bill.'" As we snapped photos and drank water from our packs, I decided that where historic fact and local folklore meet, an authentic western tale begins.

Topic: Water

Moving Water from Point A to Point B

Most serious ranchers had more than one ditch and most built one or more reservoirs. Hilry Harris, Munroe C. Wythe, Samuel H. Burghard, and John A. Coulter entered the first water claim in the county on September 20, 1874. This came out of Sheep Creek above the head of Gore Canyon.

There usually was some natural irrigation; but the challenge of getting the water from the creek required laborious construction of diversion dams, headgates, and ditches, the earliest ditches being dug by hand and often taking up to four years to complete. Later, ditches were dug using teams and scrapers. The grade was figured out initially by simple gravity flow, letting a trickle of water move down the ditch. Soon ranchers refined the process, using a 16’ long board placed with a 1/8" slope, determined by a carpenter’s level. A.F. and Roy Polhamus surveyed a great many of the water ditches, especially those impressive ones in West Grand County, some of which even had tunnels involved. Most small ditches supplied just one ranch, but if a ditch had to cross another ranch, that rancher usually got a share. And some of these ditches were long!

For instance, Dr. Henry Hoagland, on the Blue River, anticipated getting water close at hand from Spruce Creek. Instead, he discovered an old timer had previous rights that forced him to go back into the mountains and build a 13-mile long ditch. Hoagland had figured on spending about $7000; in the end, the actual cost was $26,000! His crew dug the ditch around side hills and across valleys using flumes and siphons. Then his real troubles began. Terrible leaks and washouts occurred everywhere. Finally he hauled in adobe and put this in the bottom of the ditch, rented sheep, and drove them day after day up and down the ditch to pack it. After a couple of years of using this tamping process, the ditch held. Other ditches were even longer. The Church Ditch at Willow Creek and the Wheatley Ditch on the back Troublesome were both 16 miles long.

The Company Ditch (aka the Williams Fork Ditch), eight feet wide on the bottom, was another long one. Built between 1903 and 1907, it cost $44,000 and had a decree for 150 cubic feet / second. The ditch went uphill and down, requiring many flumes and bridges. One flume was actually 1200 feet long! Subsequent breakdowns, leaks, and slides were so frequent and repairs so extremely costly that old-timers have said the reason the Company Ranch went broke about 1920 was the expense of The Ditch. The Lyman Ditch (or the Curtis), started about 1891, was just as complicated as the Company Ditch. Crossing high above the Williams Fork River, the ditch eventually needed cement piers to carry the pipe (1928). This ditch had so many slides, leaks, and washouts, that it had to be inspected once or twice daily! Siphons were required over draws. Flumes, sometimes ¼ mile long, might be 25-30 feet high, and one flume was actually 177 feet high; but these heights were necessary to maintain the elevation.

Flumes, being of wood, rotted and were guaranteed to leak. Sometimes wind blew a portion of the flume down. Finally the county put in big pipes to help the ditches across the Williams Fork. It might be noted that, when water leaked out of ditches, a side benefit was that ranchers along the way could use the "lost" water. Along with the ditches came reservoirs.

Fred DeBerard had four reservoirs on the Muddy: the Albert, the Binco, Milk Creek, and a low one that flooded the Jones place near Kremmling. All were dirt, of course. The Hermosa Ranch on the Little Muddy had water rights through the Sylvan Ditch and Reservoir Company and they built the Sylvan Reservoir dam and the Hermosa Ditch starting in 1911 and completing it by the spring of 1916. The Stein Ditch, started in 1897, was another large ditch, this one later purchased by the Taussig family. These ditches were all built originally to provide water to meadows and fields for ranching purposes. For years, people hauled in water for baths and household use, but that gradually changed. Leon Almirall, near the Horseshoe Ranger Station on the Williams Fork, decided that he wanted water for his home, so he built a 1700’ pipeline to his house, added an inside bathroom, and was shocked when the line froze the first winter – it was only three feet deep. He called in workers who dug down and insulated the line with manure and straw. It froze again. Finally, Almirall gave up and buried the line six feet deep. Now he had his water!

On Ranch Creek in the east end of the county, E.D. Shew cut a ditch upstream from his house, placing it along the edge of the creek, but directing the water back into the main channel near his house. At that point, he put a little water wheel that pushed the water up the hill to his cabins -- and furnished electricity besides. Eventually he replaced the water wheel with a gas engine. There was a similar water wheel, used for the same purpose, up in Hideaway Park.

Water was used to transport lumber as well. A flume ran down the mountain into Monarch Lake, in the days when the Monarch Company was timbering there. There was a flume along St. Louis Creek, carrying lumber from the camps upstream. Perhaps the most ambitious flume ran from Western Box Sawmill. This area is now under Meadow Creek Reservoir. In 1906, the Deisher Lumber Company paid Nathan Hurd for a right of way through his land and built a flume with a 2% grade down Hurd Creek. Logs were placed in the flume and a horse harnessed to the last log. The horse then pushed the logs down the flume with the help of the water. Three years later, the mill was moved to "Sawmill Meadow" on Meadow Creek.

In 1911 construction on the seven-mile-long Vaver Flume began, with 117 cubic inches of water allotment. This flume ran down Meadow Creek and over to Tabernash, carrying partially processed logs for further manufacture. A flume rider checked along the way, making sure there were no jams, and phone line allowed the rider to report troubles. Hikers can see remnants of both the St. Louis Creek flume and that one coming down Meadow Creek today.

Topic: Biographies
Barney McLean

Skiing Legends Horace Button and Barney McLean

Barney McLean

Horace Button was 10 years old when he saw the ski jump competition at the 1911 First Annual Hot Sulphur Springs Winter Sports Carnival.  A railway man noticed that Horace was spellbound.  The man asked Horace what he wanted to be when he grew up, to which Horace replied, “I want to be a ski jumper like Carl Howelsen.” The seed had been sown, and Howelsen taught Horace the skills of skiing.

Horace Button became an All-American Skier.  Winning awards over nationally recognized competitive ski racers.  The basic knowledge he learned from Howelsen was passed on which in turn sent Jim Harsh of Grand Lake, to be on the 1932 United States Olympic Nordic Combined team.  The Olympics were held at Lake Placid, New York. 

Barney McLean of Hot Sulphur Springs, became a champion following in the "ski boots" of Mr. Button. Horace would be waiting at the ski hill every afternoon, when school hours were over and he and Barney would schuss the mountain together.  Barney was a 9-time national champion, and a 3-time Olympian.  In 1948 he was Captain of the men’s alpine ski team that competed at St. Moritz, Switzerland. 

Horace Button continued to advise ski techniques to students of East and West Grand School Districts, helping them compete at the university or Olympic level.  They were; Dale Thompson, Wes Palmer, Zane Palmer, Landis Arnold, Todd Wilson, Kerry Lynch, Tim Flanagan, and many more.  Horace coached 12 national champions. 

Horace also was an accomplished artist. His specialty was carton ski scenes.  Tim Flanagan honored Mr. Button for his work with local youths and created the Horace Button Ski Foundation.

Horace Button, Jim Harsh, Barney McLean, and Carl Howelsen have been inducted into the Colorado Ski Hall of Fame. Barney McLean and Carl Howelsen are honored at The National Ski Hall of Fame.

The picture on the right is of Barney McLean at age 4, wearing a pair of skis his dad made for him. The photo was taken in Hot Sulphur Springs.