The lights dimmed; mothers had already found their seats after coming from the classrooms where they had put makeup on little children’s faces and checked their costumes to make sure angel wings and halos were secure and costumes were on right side round.  I was at the piano, music and script lined out. The gym was full to the brim, every seat taken, with folks lining the sides and back walls, for the whole town had turned out.  Early birds got the seats!  Christmas wasn’t Christmas in the Fraser Valley unless it included the program at Fraser School (now the Town Hall).   I began the overture and chatter stopped.   I had played for this event for ages, starting in 1958.  High school students were gone by then, moved to the new Union High School in Granby, but 7th and 8th graders were still there.  And in 1958, the first kindergartens in the district were established.   It was a time of excitement and anticipation, of fun, and of panic? Well, no, not panic, for the teachers were beautifully organized. 

The program was chosen during October. Each teacher had a specific job. For instance, Martha Vernon, the art teacher, did sets.  Helen Hurtgen was responsible for dialog.  Edith Hill did costumes.  Nancy Bowlby was in charge of the music.  Others coordinated the whole.  And I played the piano, with Nancy sometimes accompanying me on her violin.  

Mothers were asked to contribute sheets and any fabric they could spare.  Patterns and material for costumes went home to be sewn into various sizes and shapes -- angels, gingerbread men, knights or royalty.  In the gym, we stitched on finishing touches, bright patches to decorate jester outfits, townspeople, and such, while watching various groups practice. Bits of tinsel became crowns, tinfoil turned into wands, cheesecloth into wings.  Lace scraps and sequins added color and “class.”   The budget was extremely minimal at first, but over the years, more money was directed to Christmas programs.  Instead of old sheets, we could buy cotton fabrics, velveteens, sometimes satin.  One year I even stopped by a furrier’s in Denver and begged some fur scraps.  Were we uptown then!  We had fur trim around the necks, cuffs, and hems of the costumes for the prince, queen, and king.  

The day before the play, PTA mothers gathered in the gym to fill brown paper sacks with an apple, orange, nuts, and candies, provided by R. L. Cogdell from his grocery store.  

Every single child in school took part in the play, as a class, except for those with speaking parts, of course.  Fraser grew and grew, then as now. Soon the 7th and 8th grades moved to Granby.  Then the 6th graders went, but the 4th and 5th graders handled the leads neatly.  Our stories were usually simple Christmas tales, but sometimes we tackled ambitious efforts such as the Nutcracker Suite or a version of Gilbert and Sullivan.   The only children not included were the Jehovah Witness youngsters.  They couldn’t be in the play and they couldn’t come watch it either.  We all felt very sorry for them, because everyone had such a wonderful time.  Their teachers tried to give them special projects to entertain and interest them while they sat off in a corner or in their classrooms.   The plays always went well.  Tiny kindergartners came out onto the stage, to stand behind the colored lights.  They knew their song perfectly in practices, but I have to admit that a number of them usually stood silent, stunned by that mass of faces looking up at them.  No matter.  They were darling. “Hi, Mom,” some were sure to call. “Mom” beamed.  

There might be a glitch or two every year. For instance, little Diane was chosen to do the Arabian dance in Nutcracker Suite.  Her parents were dark, as she was, and she was slender as a dancer. Trouble was, she didn’t have an ounce of grace in her body at that stage of her life.  I thought Nancy Bowlby was going to have grey hair before she got that child moving properly.  But the night of the program, Diane looked like Anitra herself, doing her exotic dance.   One year the king jumped his cue and entered on stage.  His first words were, “Did I miss anything?”  The prince muttered, in an aside, “Yes, three pages!”  But the cast went on as if nothing had happened, while down at the piano I sat, flipping pages rapidly, trying to figure out where the dialog was now.  

Another year, our son James was to take part in a minuet.  “Uck!  I have to touch a girl?”  By the greatest good fortune, he broke his leg and got to be a guard at the palace door, standing at attention on crutches, while another boy took his place.  (I think he did that on purpose.)   Songs and parts were adapted to the talents of the students.  We had five boys once, who couldn’t talk, dance, sing -- anything.  So they wore monks’ costumes and filed on stage, supposedly singing a Christmas carol, but supported strongly by the cast present.   Another time, Twyla’s parents couldn’t come, so Miss Vernon took her home to get ready. Now, Twyla usually looked like a dirty ragamuffin, but after a bath and hair wash, she truly looked like the angel she portrayed.   For the finale, the entire school came on stage to sing a last carol, with the audience joining in.  Then Santa showed up to distribute the goodie sacks, and the great night was over.  Coming out into the quiet night was a wonderful feeling.  Sometimes we moved through drifts of new falling snow; sometimes the sky was filled with icy stars.  Gay lights showed in windows throughout town. 

We never talked much on the way home, as we thought of the play, the success of everyone¹s efforts, and how happy the children had made their parents and families.   My last program was the first year after the new school was built.  It was fun still, but the school population had grown enough that it was impossible for whole classes to participate as one. Things weren’t the same as they were in the little old school.

Ghost towns and broken dreams are legacies left by the early miners and prospectors of Grand County. Ever since 1879 when the first mines were staked out and claimed on Bowen Mountain near Grand Lake, “gold and silver fever” grew like an epidemic. Men blinded by greed and prospects of a better tomorrow scrambled to the Kawuneeche Valley with picks and shovels to unearth their fortunes. Women worked just as feverishly along side their men and encampments gave way to mining towns almost overnight. Land offices, eateries, and boarding houses sprouted like wild flowers.

Claim jumping became a common practice, resulting in fights and even murders. Most of these injustices would go unpunished, for no one wanted to risk losing their chance of riches. In Grand County the mother load was a false prophecy, as only small quantities of low grade gold, silver, and lead ore were found. In a few short years, Gaskill, Teller City, and Lulu City, three of the more noted settlements, suffered the same fate as the other boom towns. By 1885 the mining boom had ended in Grand County and ranching had taken it’s place as a sustaining industry.

Lewis DeWitt Clinton Gaskill came to Colorado as a polished young mining promoter from upstate New York, where he was born in 1840. He married Miss Nellie C. Rogers in 1865, and raised three daughters born to the marriage.

By 1874 he partnered with William Cushman to build the Georgetown, Empire and Middle Park Wagon Road, which opened in November of that year, to the great surprise of locals and professionals alike.  He and his family lived at the summit of Berthoud Pass into the mid-1880s, when they built the Gaskill House in what became Fraser, CO.   For a short time he was employed as mine foreman at the Wolverine Mine in Bowen Gulch, outside of Grand Lake.  One of the mining camps, in fact, came to be known as Gaskill. Over the years there was significant competition between the different camps, and mercantiles associated with them.  Gaskill's was one of the biggest and best.  Gaskill, the camp, survived for about six years, before falling victim to the end of the mining boom.  In 1896, a county-wide passion for William Jennings Bryan and his Democratic-Populist party, helped to seat Gaskill as democratic chairman of the Board of County Commissioners for Grand County. By 1903, Gaskill came into conflict with D.H. Moffat and the Denver, Northwestern, and Pacific Railway, over property and right-of-way purchases. He, along with Nathan S. Hurd, ended up settling their dispute over property values in County Court. In 1904, upon the death of Fraser postmaster, William Z. Cozens, the Fraser post office was moved to the Gaskill House in Fraser, and L.D.C. Gaskill was appointed postmaster.  Soon after, the townsite was platted and development undertaken under the name of Eastom, but that name was soon forgotten and the area continued to be known as Fraser.

"[Gaskill] was one of those quiet, easy-tempered, efficient persons who can always be depended upon.'" Captain Gaskill (his rank came from service in the Civil War) became "a major Grand County personality."

Article contributed by Scott Rethi

Of all the leisure time activities available to the pioneers, dancing
was the favorite.  Dances were held in grand hotels that remained from the mining boom, such as the Fairview House and The Garrison House in Grand Lake.  

Quadrilles, a type of square dance, were popular at the time.  A
fiddler would provide the music and serve as the caller.  These parties would start in the evening and last all night.  The formidable temperatures and great traveling distances were incentive for getting the most out of every gathering.  

Winter Sports have also always been a popular pastime.  Skiing was introduced to the region during the winter of 1883. Snowshoeing and sleigh rides were also enjoyed.  

1882 officially brought the arts to the Grand Lake area when the Dramatic Society was organized.  A production of the
well-known comedy "Our Boys" was the premiere performance.

Sources:
Mary Lyons Cairns, Grand Lake: The Pioneers & The Olden Days, Renaissance House Publishers, 1971