The lights dimmed; mothers had already found their seats after coming from the classrooms where they had put makeup on little children’s faces and checked their costumes to make sure angel wings and halos were secure and costumes were on right side round.  I was at the piano, music and script lined out. The gym was full to the brim, every seat taken, with folks lining the sides and back walls, for the whole town had turned out.  Early birds got the seats!  Christmas wasn’t Christmas in the Fraser Valley unless it included the program at Fraser School (now the Town Hall).   I began the overture and chatter stopped.   I had played for this event for ages, starting in 1958.  High school students were gone by then, moved to the new Union High School in Granby, but 7th and 8th graders were still there.  And in 1958, the first kindergartens in the district were established.   It was a time of excitement and anticipation, of fun, and of panic? Well, no, not panic, for the teachers were beautifully organized. 

The program was chosen during October. Each teacher had a specific job. For instance, Martha Vernon, the art teacher, did sets.  Helen Hurtgen was responsible for dialog.  Edith Hill did costumes.  Nancy Bowlby was in charge of the music.  Others coordinated the whole.  And I played the piano, with Nancy sometimes accompanying me on her violin.  

Mothers were asked to contribute sheets and any fabric they could spare.  Patterns and material for costumes went home to be sewn into various sizes and shapes -- angels, gingerbread men, knights or royalty.  In the gym, we stitched on finishing touches, bright patches to decorate jester outfits, townspeople, and such, while watching various groups practice. Bits of tinsel became crowns, tinfoil turned into wands, cheesecloth into wings.  Lace scraps and sequins added color and “class.”   The budget was extremely minimal at first, but over the years, more money was directed to Christmas programs.  Instead of old sheets, we could buy cotton fabrics, velveteens, sometimes satin.  One year I even stopped by a furrier’s in Denver and begged some fur scraps.  Were we uptown then!  We had fur trim around the necks, cuffs, and hems of the costumes for the prince, queen, and king.  

The day before the play, PTA mothers gathered in the gym to fill brown paper sacks with an apple, orange, nuts, and candies, provided by R. L. Cogdell from his grocery store.  

Every single child in school took part in the play, as a class, except for those with speaking parts, of course.  Fraser grew and grew, then as now. Soon the 7th and 8th grades moved to Granby.  Then the 6th graders went, but the 4th and 5th graders handled the leads neatly.  Our stories were usually simple Christmas tales, but sometimes we tackled ambitious efforts such as the Nutcracker Suite or a version of Gilbert and Sullivan.   The only children not included were the Jehovah Witness youngsters.  They couldn’t be in the play and they couldn’t come watch it either.  We all felt very sorry for them, because everyone had such a wonderful time.  Their teachers tried to give them special projects to entertain and interest them while they sat off in a corner or in their classrooms.   The plays always went well.  Tiny kindergartners came out onto the stage, to stand behind the colored lights.  They knew their song perfectly in practices, but I have to admit that a number of them usually stood silent, stunned by that mass of faces looking up at them.  No matter.  They were darling. “Hi, Mom,” some were sure to call. “Mom” beamed.  

There might be a glitch or two every year. For instance, little Diane was chosen to do the Arabian dance in Nutcracker Suite.  Her parents were dark, as she was, and she was slender as a dancer. Trouble was, she didn’t have an ounce of grace in her body at that stage of her life.  I thought Nancy Bowlby was going to have grey hair before she got that child moving properly.  But the night of the program, Diane looked like Anitra herself, doing her exotic dance.   One year the king jumped his cue and entered on stage.  His first words were, “Did I miss anything?”  The prince muttered, in an aside, “Yes, three pages!”  But the cast went on as if nothing had happened, while down at the piano I sat, flipping pages rapidly, trying to figure out where the dialog was now.  

Another year, our son James was to take part in a minuet.  “Uck!  I have to touch a girl?”  By the greatest good fortune, he broke his leg and got to be a guard at the palace door, standing at attention on crutches, while another boy took his place.  (I think he did that on purpose.)   Songs and parts were adapted to the talents of the students.  We had five boys once, who couldn’t talk, dance, sing -- anything.  So they wore monks’ costumes and filed on stage, supposedly singing a Christmas carol, but supported strongly by the cast present.   Another time, Twyla’s parents couldn’t come, so Miss Vernon took her home to get ready. Now, Twyla usually looked like a dirty ragamuffin, but after a bath and hair wash, she truly looked like the angel she portrayed.   For the finale, the entire school came on stage to sing a last carol, with the audience joining in.  Then Santa showed up to distribute the goodie sacks, and the great night was over.  Coming out into the quiet night was a wonderful feeling.  Sometimes we moved through drifts of new falling snow; sometimes the sky was filled with icy stars.  Gay lights showed in windows throughout town. 

We never talked much on the way home, as we thought of the play, the success of everyone¹s efforts, and how happy the children had made their parents and families.   My last program was the first year after the new school was built.  It was fun still, but the school population had grown enough that it was impossible for whole classes to participate as one. Things weren’t the same as they were in the little old school.

In Grand County during the 1920's, you might have been lucky enough to have taken a plane ride over Grand Lake with Charles Lindbergh.  It may sound preposterous, but Gordon Spitzmiller and his father, Gus, were two of the many fortunate people who got private sightseeing tours over the Grand Lake area with Charles A. Lindbergh as tour guide.

In the early 1920's, the aviation industry was a brand new field open to the adventurers, the thrill seekers and the adventurous.  Charles Lindbergh was one of those men.  In the spring of 1926, Lindbergh had the dream of flying solo over the Atlantic Ocean, from New York to Paris nonstop.  He was a determined man and was resolved to be the first man to cross the Atlantic and win the Orteig Prize.

On May 22, 1919, Raymond Orteig of New York City offered a prize of $25,000 "to be awarded to the first aviator who shall cross the Atlantic in a land or water aircraft (heavier-than-air) from Paris or the shores of France to New York, or from New York to Paris or the shores of France, without stop."

Besides Lindbergh, there were four serious contenders for the Orteig prize, one of which was Commander Richard Byrd, the first man to reach the South Pole.  Lindbergh's courage and enthusiasm for such a flight were not enough; he needed financial backing.  Lindbergh found his financial answer in Harry H. Knight, a young aviator who could usually be found bumming around the Lambert Field in St. Louis.  This was the beginning of the Knight-Lindbergh partnership that would soon change the course of aviation history. 

After being denied any financial assistance by several of St. Louis's businessmen, Lindbergh made an appointment with knight at his brokerage office.  Knight, the president of the St. Louis Air Club, was fascinated with Lindbergh's plan and called his friend, Harold M. Bixby, president of the St. Louis Chamber of Commerce.  Bixby also displayed a strong interest in the obscure stunt flyer and mail pilot.  Together Knight and Bixby formed an organization called "the Spirit of St. Louis", which was dedicated to gathering funds for the flight.  More than $10,000 was needed in order to build a single engine plane and acquire the proper equipment.

Knight went to his father, Harry F. Knight, who was a major power in the realm of finance and an equal partner in the firm Dysart, Gamble & Knight Brokerage Company.  Like his son, the senior Knight was interested in the aviation field and backed every effort to make America conscious of airplane transportation.

Without the financial aid and moral support offered by the Knight family, Charles Lindbergh may not have been able to cross the Atlantic in 1927.  Lindbergh's gratitude to these two men never ebbed.  Lindbergh and, his famous wife Ann Morrow, came often to Grand County as guests of Harry F. Knight whose ranch encompassed 1,500 acres on the South Fork of the Colorado River.  The ranch today is covered by the waters of the Granby Reservoir.

Knight, a nature lover, spent much of his time at this ranch.  It was a haven for sportsmen and adventure seekers, and Lindbergh was a natural for these two categories.  One of the largest and best airstrips in the west was added to the Knight Ranch in order to accommodate the owner and his guests.  Besides the airstrip, the ranch boasted a miniature golf course, a 28 room estate, a private guest "cabin", a good selection of livestock and an array of entertainment that would suit all.  It was a sanctuary for the affluent.

Local people were so enthused about the handsome aviator that they named a 12,000 ft. peak in the Indian Peaks Wilderness Area (east of Granby) "Lindbergh Peak". However, during the 1930's the hero was honored by Adolph Hitler and Lindbergh made a speech favoring Nazism.  This lead to a fall from grace in the eyes of the public.  Even though Lindbergh changed his mind as World War II began, it was too late to regain his former popularity. The peak was renamed "Lone Eagle Peak" which was a nickname for the famous aviator.

After Harry F. Knight died of coronary thrombosis in 1933, his son, along with ranch manager Harry Morris, turned the ranch into a major breeding and beef cattle operation.  It continued as such until 1948, when the Knights were asked to sell it to the federal government or have it condemned to make way for the reservoir.  Moss bought out the cattle operation and most of the buildings were sold, but the colorful memories of the Knight ranch were buried in the depths of Granby Reservoir.

 Though few, high altitude water ditches have had a major impact on Grand County's history and economy, there were many early valley ditches transporting this precious commodity from water-right sources to the owner's ranch. However, the threat of transporting great volumes of water from our county to Boulder County via high altitude ditches appeared back in 1889.  Certain interests east of the Divide talked the Legislature into appropriating $25,000, for surveying and developing a 20-mile-long canal over South Boulder Pass to South Boulder Creek.  Amazingly, neither Grand County residents nor very many others opposed this notion.  Luckily the state engineer found the terrain so difficult that not even $2000 was ever spent on the project.


The next effort occurred also in 1889.  This privately financed plan was to develop a two-branched canal system that would move 700 second feet of water to a half-mile tunnel just beneath Berthoud Pass at over 11,000 feet, thence down to Clear Creek and on to the Golden area.  Initial surveys were begun that fall and roads laid out the following year.  The effort bogged down but was resurrected in 1900 under the Agricultural Ditch Co., supplemented in 1902 with the Berthoud Canal Co.  The canal was partially completed by the Frank Church family ranching interests of Jefferson County by 1906.  The ditch, which can be walked today, runs from Second Creek to Berthoud Pass, though it no longer carries much water.  However, the Church Ditch water rights coming from Clear Creek still exist and today are owned by Northglenn.

Proposed in 1890 by the Water Supply and Storage Company of Fort Collins, a greater canal was to be built 1000 feet above the Kawuneeche Valley, that would tap the high tributaries of the North Fork of the Grand River, sending the water over Poudre Pass to a reservoir and then into the Cache La Poudre River and on to agricultural areas east of the Front Range.  The water company, later known as the Grand River Ditch Company, appropriated 525 second feet at the time of the initial diversion in 1892.  (When the Grand River was renamed the Colorado River in 1921, the company was changed to the Grand Valley Irrigation Company.)  The ditch was dug by hand, primarily by Japanese and Mexican laborers.  By 1900, water was flowing eastward.  

By 1906, this major canal, known as the Grand Ditch, and draining water from the Never Summer Range, had a capacity of nearly 358 second feet with 12 headgates within 8 miles, running from Baker Creek to the pass at 10,179 feet, plus a smaller canal carrying 183 second feet within 11 miles, coming from Specimen Mountain.  In 1936, using machinery, the ditch was lengthened to 14 miles.  The Grand Ditch is about 20 feet wide and 6 feet deep, though the water is rarely more than 3 feet deep, and this water irrigates some 40,000 acres in Weld and Larimer counties.

The National Park Service has argued against the allocation of all this water to the canal as it is needed to support plant life and animal habitat.  Becuase river water flow was cut in half, the immediate effect was a reduction in the fish population in the Colorado River.  More recently, a major washout in the ditch caused devastating damage to the slopes below the ditch and to the Colorado River itself.  Hikers climbing up from the valley use the Grand Ditch as a route to the high peaks and lake.  But as viewed from below, the Grand Ditch is often considered an ugly scar on the landscape.

William Shakespeare, the historic play writer, said, “There is a history in all men’s lives.” The same could be said for many Grand County buildings. According to author, Lela McQueary in her 1962 book, “Widening Trails,” real estate sales and land giveaways helped to build our towns. “In 1905, a town site was obtained from Jim Snider, who had homesteaded the land upon the sagebrush mesa,” wrote McQueary. “The village was called Granby for Granby Hillyer, a civil engineer. Two general stores, two livery stables, a post office and a tiny café (all built with false fronts to make them appear much larger) were scattered on the north side of Main Street, three blocks long.”  That Main Street today is Agate Avenue. A quick search of the Grand County tax rolls reveals an interesting historic mix of buildings.

For example, the current Brynoff home at 170 2nd Street was the Post Office building constructed in 1910 and originally located at 458 East Agate. That building was moved to its current home to make way for the construction for the new Post Office building in 1945 at 458 East Agate. Deb Brynoff, the Executive Director of the Grand County Board of Realtors, said, “When we updated and built onto the original building, we found old letters stuffed in the walls. Obviously, they used them in the early years to add insulating value. I guess they had junk mail even then!”

On July 1, 1966, a new Post Office building was dedicated at 225 East Jasper Avenue (now the current home of the Grand County Library District Administrative Office). According to Granby-area Realtor, Susie Peterson of Glenn Realty, who used to own the building at 458 East Agate when they converted it to the Granby Veterinary Clinic, “Downstairs was full of those neat glass front post office boxes with the gold dials. You can just imagine the history in that building.”  Other buildings constructed in those early years were 127 4th Street in 1909. In addition to a private home, over the years, businesses such as Re/max Real Estate and Katie’s Flower Shop were located at 247 East Agate, which was also built in 1909. In 1910, the property at 110 Garnet was built.
The Roaring 20s saw a spurt of construction such as 172 Topaz (1922), 307 Jasper and 59 4th Street (1924), 166 Jasper and 291 Topaz (1929). The current Columbine Café property at 395 East Agate was built during the heydays of 1927 when it was called the Town Crier Restaurant.

After the Great Crash of 1929 and the Depression of the 1930s, New Deal jobs and loan programs helped fuel new construction. In fact, in 1933, the famous Payne’s Café was built at 365 East Agate. Today, the Greater Granby Chamber of Commerce and Downtown Enhancement offices, along with Noriyuki & Parker law offices are housed in the almost 75 year-old building.

Today’s Shadow Mountain Chiropractic Clinic of Drs. Jeff and Deb Shaw at 60 2nd was built in 1935 as a private home. On April 18, 1935, the first addition to Granby helped the town grow. In 1938, 387 East Agate was the site of the new pool hall run by Alva West. Today Lorene Linke’s Fabric Nook welcomes customers and quilters at the historic location.

In 1938, the building at 185 East Agate, which was Granby’s first strip mall, also was constructed with Craig’s Café, later Olson’s Café. Over the years businesses such as Maureen’s Clothing Shop, a laundromat, a barbershop and the Carpet Wagon found homes where today the Longbranch and Schatzis Pasta & Pizza Restaurants are found.

Post World War II America and Granby boomed. Granby had an influx of new residents because of the continued construction of the Granby Dam and the Colorado Big Thompson Water Project. In 1946, the Granby Dairy Building at 106 Jasper sprung up. That same year, Carmichael Real Estate Company built a new office at 191 East Agate. Today real estate is still king at that corner building with the Grand County Board of Realtors and The Title Company of the Rockies offices located there.

The Granby landmark, Frontier Motel, at 232 West Agate was built in 1951 by Earl Saylor. In 1954 Jenkins & Fulk began construction of the Granby Trading Post at 231 East Agate. Ken and Debbie Eaker and Jay Young bought that property in May 1995 and renamed the store, The Grand Mountain Trading Company.