Grand County History Stories

Article contributed by Betty Jo Woods

Granby was settled in 1904 and incorporated the next year. The town was created along the railroad line being built by Denver, Northwestern & Pacific, and was a connection with the stage route to Grand Lake.

The Granby site was also chosen because of the dry ground and and good view of the surrounding mountains. The town was named in appreciation of the services of Denver attorney Granby Hillyer, who worked to lay out the town site.

Its central location makes it a natural trade center for east Grand County. Specialty truck farming, principally lettuce, became a major crop for Granby. At the peak of the market, the Waldorf Astoria hotel in New York City proudly advertised Granby Head Lettuce on its menus. Later, after WW II, Granby was called the “Dude Ranch Capital of the World.” Today the town offers a mix of recreational amenities and residential charm.

Sources:
R.C. Black, Island in the Rockies. Pruett Publishing Company, 1969

Dark clouds covered the Continental Divide as we looked east from the ridge leading toward Elk Mountain's remarkable view. Cool winds and spitting snow followed us. We weren't seeking the height of Elk Mountain, but instead, were tracking the historic path of Grand County Pioneer William Jefferson "Ute Bill" Thompson. Specifically, we wanted to locate the memorial marker for Ute Bill that Henry Grafke and Otto Schott placed along this ridge after Ute Bill died in 1926. 

Tracking Thompson requires divergent paths. On one hand, Ute Bill's early presence in Middle Park places him in an era when mountain men and Ute Indians shared the vast herds of elk and deer. Only a handful of hardy souls called Middle Park home when Bill Thompson arrived in the late 1860s or early 70s. On another hand, Thompson settled just east of Hot Sulphur Springs as a young man, where he carved out a cattle ranch that remains in his family today.  

Records prove he owned and operated a billiard hall, drove stagecoaches and established a homestead along the Colorado (then, the Grand) River. But tall tales and oral legends abound too, capturing hair-breath escapes, harrowing western adventures and the mischievous nature of a 19th century westerner. Looking through the numerous historic photos of Ute Bill at the Pioneer Village Museum in Hot Sulphur Springs leaves an impression of a capable trapper, businessman and rancher who textured his image with stories of western adventure. 

With Don Dailey - fellow historic trekker and great grandson of Ute Bill - along, I hoped to pursue the fact and folklore of Ute Bill. As Don pointed out an isolated cabin in the valley below, a Ute Bill tale from the Georgetown Arbitrator of September 1886, "as narrated at the time by one of the participants," captured my imagination.  

Bill Thompson breathed a sigh of relief. The rugged, hungry band of Ute in front of him smiled approvingly as his long black hair fell from his broad-brimmed black hat. A tense moment before, he'd worried about his future as the small band of Ute Indians led by Yarmony came upon his isolated cabin in Middle Park. Fact is, Bill Thompson's hair had just saved his life. Not bein' cut since the Sioux captured him as a child, it hung nearly to his waist.  

Bill was all set up for a Middle Park Winter, with supplies to last through the toughest stretch, when Yarmony and his band came along. Thompson cursed softly at himself for not payin' closer heed to their approach. "Figured they'd be out west by now," Bill muttered as he squared up to his guests. 

Speakin' through a mix of hand signs, broken Ute and English that most fellers in the mountain parks west of the divide understood well enough for basic communication, Bill impressed the band with his manly firmness and calm self-confidence. Then Yarmony spoke, "Beescits," was all he said. Bill hesitated to open his cabin supplies. "Why, them folks are so hungry," he thought to himself, "they're near certain to go mad if they laid eyes on my bacon and flour." At best he'd be without supplies at a risky time of year. "No biscuits, fellers," Bill said with as much certainty as he could muster, "barely enough food fer myself. There's still a shaggy buffalo er two fer the takin' and every feller's got the same chance." When Bill finished talkin' he looked Yarmony square in the eyes. He watched the headman's leathered face swing toward his rough-sawn cabin door thoughtfully. "Beescits," he repeated. 

Yarmony's band, snuggled in their elk skins and trade blankets, looked stoically at Bill. "Well," Bill said, throwing down his last ace, "seems you're intent on havin' my grub and I'm intent you ain't." Then, regrettin' it before he finished sayin' it, Bill raised the stakes, "Why don't we have us a shootin' contest fer it?" No immediate reaction caused Bill to wonder if he'd communicated clearly. Slowly, though, excitement spread through the crowd of Ute, as the entire band - from the pretty young girls to the big-bellies - looked to one feller. In front of Bill stepped a mountain-sized-Ute feller, creating a shadow as he approached. "Piah," the Ute whispered, breaking into a quiet chaos of conversations. Movin' quick and hopin' for some break, Bill scooped up his improved Winchester rifle as he threw off his broad-brimmed black hat so nothin' could obstruct his shootin' eye. Just as soon as his long black hair fell near his waist, the tense moment ended with a gasp from the Ute, followed by a welcome reception that meant more to Bill than any he recollected! Bill determined then and thar on never cuttin' his hair again! 

As he eased down the gun smilin', all them pretty Ute girls began paintin' his face and braidin' his locks. Bill was feelin' positively giddy about his good fortune. Decidin' he just might owe these hungry Utes a favor fer endin' a potentially tragic shootin', he led 'em to a nearby ravine where he'd been watchin' a small herd of shaggy buffalo. Now Bill Thompson figured he'd repay 'em with meat, and still keep his own supplies. Leavin' the Ute on a rise above the ravine, he sauntered down to the fresh buffalo trail just as he heard the thunder of hooves around the ravine's bend to the south. Settlin' into a remote stand of lodge pole pines, he sat right along the path of the rumblin' bison. Pickin' out his choices as they rounded the bend, Bill's Winchester boomed repeatedly, each shot bringin' down a fat cow or a young bull.          

Swaggering toward his kills, Bill was suddenly confronted by Sandy Mellon and Len Pollard, sneakin' along that ravine behind the buffalo. Not recognizin' Bill through all the paint and braids, Sandy thundered to Len that this Ute feller must "a stole Bill Thompon's gun," because there weren't many repeaters like his. Both their guns were trained on Bill.   Calmly, Bill broke the silence. "Don't over-reach yourself, Sandy." Yes sir, Sandy knew from the voice that this-here Ute feller in front of him was really Bill Thompson. That day, he became Ute Bill.  

Breathing hard to make the final incline, Don and I reached the point along the ridge of Elk Mountain where we expected to find the memorial. There it was, as we had hoped. After a hurrah for our success, we slowly read the plaque: "Hunting Grounds of "Ute Bill.'" As we snapped photos and drank water from our packs, I decided that where historic fact and local folklore meet, an authentic western tale begins.

The lights dimmed; mothers had already found their seats after coming from the classrooms where they had put makeup on little children’s faces and checked their costumes to make sure angel wings and halos were secure and costumes were on right side round.  I was at the piano, music and script lined out. The gym was full to the brim, every seat taken, with folks lining the sides and back walls, for the whole town had turned out.  Early birds got the seats!  Christmas wasn’t Christmas in the Fraser Valley unless it included the program at Fraser School (now the Town Hall).   I began the overture and chatter stopped.   I had played for this event for ages, starting in 1958.  High school students were gone by then, moved to the new Union High School in Granby, but 7th and 8th graders were still there.  And in 1958, the first kindergartens in the district were established.   It was a time of excitement and anticipation, of fun, and of panic? Well, no, not panic, for the teachers were beautifully organized. 

The program was chosen during October. Each teacher had a specific job. For instance, Martha Vernon, the art teacher, did sets.  Helen Hurtgen was responsible for dialog.  Edith Hill did costumes.  Nancy Bowlby was in charge of the music.  Others coordinated the whole.  And I played the piano, with Nancy sometimes accompanying me on her violin.  

Mothers were asked to contribute sheets and any fabric they could spare.  Patterns and material for costumes went home to be sewn into various sizes and shapes -- angels, gingerbread men, knights or royalty.  In the gym, we stitched on finishing touches, bright patches to decorate jester outfits, townspeople, and such, while watching various groups practice. Bits of tinsel became crowns, tinfoil turned into wands, cheesecloth into wings.  Lace scraps and sequins added color and “class.”   The budget was extremely minimal at first, but over the years, more money was directed to Christmas programs.  Instead of old sheets, we could buy cotton fabrics, velveteens, sometimes satin.  One year I even stopped by a furrier’s in Denver and begged some fur scraps.  Were we uptown then!  We had fur trim around the necks, cuffs, and hems of the costumes for the prince, queen, and king.  

The day before the play, PTA mothers gathered in the gym to fill brown paper sacks with an apple, orange, nuts, and candies, provided by R. L. Cogdell from his grocery store.  

Every single child in school took part in the play, as a class, except for those with speaking parts, of course.  Fraser grew and grew, then as now. Soon the 7th and 8th grades moved to Granby.  Then the 6th graders went, but the 4th and 5th graders handled the leads neatly.  Our stories were usually simple Christmas tales, but sometimes we tackled ambitious efforts such as the Nutcracker Suite or a version of Gilbert and Sullivan.   The only children not included were the Jehovah Witness youngsters.  They couldn’t be in the play and they couldn’t come watch it either.  We all felt very sorry for them, because everyone had such a wonderful time.  Their teachers tried to give them special projects to entertain and interest them while they sat off in a corner or in their classrooms.   The plays always went well.  Tiny kindergartners came out onto the stage, to stand behind the colored lights.  They knew their song perfectly in practices, but I have to admit that a number of them usually stood silent, stunned by that mass of faces looking up at them.  No matter.  They were darling. “Hi, Mom,” some were sure to call. “Mom” beamed.  

There might be a glitch or two every year. For instance, little Diane was chosen to do the Arabian dance in Nutcracker Suite.  Her parents were dark, as she was, and she was slender as a dancer. Trouble was, she didn’t have an ounce of grace in her body at that stage of her life.  I thought Nancy Bowlby was going to have grey hair before she got that child moving properly.  But the night of the program, Diane looked like Anitra herself, doing her exotic dance.   One year the king jumped his cue and entered on stage.  His first words were, “Did I miss anything?”  The prince muttered, in an aside, “Yes, three pages!”  But the cast went on as if nothing had happened, while down at the piano I sat, flipping pages rapidly, trying to figure out where the dialog was now.  

Another year, our son James was to take part in a minuet.  “Uck!  I have to touch a girl?”  By the greatest good fortune, he broke his leg and got to be a guard at the palace door, standing at attention on crutches, while another boy took his place.  (I think he did that on purpose.)   Songs and parts were adapted to the talents of the students.  We had five boys once, who couldn’t talk, dance, sing -- anything.  So they wore monks’ costumes and filed on stage, supposedly singing a Christmas carol, but supported strongly by the cast present.   Another time, Twyla’s parents couldn’t come, so Miss Vernon took her home to get ready. Now, Twyla usually looked like a dirty ragamuffin, but after a bath and hair wash, she truly looked like the angel she portrayed.   For the finale, the entire school came on stage to sing a last carol, with the audience joining in.  Then Santa showed up to distribute the goodie sacks, and the great night was over.  Coming out into the quiet night was a wonderful feeling.  Sometimes we moved through drifts of new falling snow; sometimes the sky was filled with icy stars.  Gay lights showed in windows throughout town. 

We never talked much on the way home, as we thought of the play, the success of everyone¹s efforts, and how happy the children had made their parents and families.   My last program was the first year after the new school was built.  It was fun still, but the school population had grown enough that it was impossible for whole classes to participate as one. Things weren’t the same as they were in the little old school.

William Jefferson (Wm./W.J./Bill) Thompson was born on March 26, 1849 in Aurora Township, Preston County, Virginia (1863-West Virginia). The 8th child of 9 children of Wm. & Mary Anne (Wotring) Thompson. His father was a shoemaker at the Wotring Tannery and died in 1853. Mrs. Thompson left Preston County in September 1859 with her children on a covered wagon for Oregon. They arrived at St. Charles, Iowa around Christmas, settling at New Virginia, joining other relatives.

Wm. may have been taken captive by Native Americans prior to entering Colorado Territory. Via ox cart he came to Central City to start mining in 1865. He ventured into adjacent Middle Park, seeking gold in the Troublesome Valley, supplied with 1 ton of flour. He spent four years as a postal carrier from Hot Sulphur Springs to Steamboat Springs, using the Gore Pass route.

Once, the Ute Indians saw him baking biscuits and they enjoyed the “beescuts” until the flour ran out. An altercation left Wm. severely beaten. He made his way to Georgetown and the miners denied him entry, thinking he was a crazy man. One kind miner gave Wm. canvas for clothing, and took him to Idaho Springs. He recovered and was employed as a shoemaker.

Wm. re-entered Middle Park, built a hunting cabin on Muddy Creek ready for the 1867 winter. Chief Yarmonite led 40 Ute men, women and children to Wm’s cabin explaining to him that the Gore Range was covered with snow, and they were in need of food. This time Wm. refused. A rifle match was agreed upon with the loser put to death. Wm. threw his sombrero to the ground as his hair fell to his shoulders. A cry of the Ute went up as they recognized Wm. from the Troublesome. Sub-chief Piah told Wm. they could not fight a Ute brother, and braided Wm’s hair and applied face paint as they were at war with the Arapahoes. A hunt for bison began. Shooting was heard with the thought the Arapahoes arrived. Len Pollard & Sandy Mellon were chasing buffalo, which Wm. shot and killed. Len & Sandy confronted the supposed Ute with Len asking, “Where did you get Bill Thompson’s Winchester rifle?” Wm. played along until Sandy aimed his rifle on Wm. who wisely said, “Don’t over reach yourself, Sandy.” Sandy demanded, “Who in the hell are you!” Bill laughed and told them he was Bill Thompson. The sobriquet of “Ute Bill” was given. Wm. preferred his nick name over his legal name.

Ute Bill carried on as a mountaineer. Hunting and trapping, taking wild game to the Georgetown & Denver markets selling the meat, until laws prohibited the practice. A new career began of driving stagecoaches and freight wagons for the Colorado Stage Company on the Georgetown, Empire & Middle Park Wagon Road, over Berthoud Pass to Grand Lake, Hot Sulphur Springs, Gore Pass, and occasionally Steamboat Springs. One day on Cottonwood Pass, Ute Bill stopped and hiked over a ridge to find 400 Ute tipis on a meadow, imaging this could be a ranch. He homesteaded acreage, bought the home ranch from Al Honscome, and through marriage owned 4000 acres.

The T Lazy S brand was patented. The Thompson Ranch was the 1st in Middle Park allowed to receive water from the Grand (Colorado) River for irrigation. Ute Bill Creek and Ute Bill Ditch 1 & 2 were also patented. Middle Park became Grand County of February 2, 1874. Ute Bill was on the first jury, appointed Road Supervisor, and a delegate to the state Democrat Party Convention. In 1879 he owned Thompson’s Billiard Hall, bought a store from John Kinsey and expanded it into Ute Bill’s Saloon in Hot Sulphur Springs. He also had a game park of tame antelope, deer, and elk.

The “Texas Charley” incident of December 5, 1884 began at the saloon when Texas Charley forced Ute Bill to hand over his prized Winchester rifle. His future father in law played a role in the coroner’s inquest. January 30, 1889 The Middle Park Times listed the sale of the saloon to Billy Pharo with the quote of, “We don’t reach Denver yet but were getting there you see.” An ad in Hot Sulphur Springs complemented the sale.

On December 25, 1893 Ute Bill Tompson was united in marriage to Mabel Smith. The first recorded marriage in the Hot Sulphur Springs Congregational Community Church. Mabel was the eldest daughter of Preston Henry & the late Mary Smith. Ute Bill & Mabel had 6 children Fred Charles, William Preston, John Henry, Otto Woodring, Marion Loman, and Mary Ellen. W.J. Thompson advertised in the Grand County News, January 8, 1904 Sulphur Springs and Kremmling Stage Carries Mail & Express Stage Fare, One Way $1.50 Round Trip, $2.75 In 1903-1904 The Denver, Northwestern & Pacific Railroad (D.N.P.R.R.) was buying ranchers land. Ute Bill refused to sell his for $500 and lost on appeal in District Court receiving $300. However, it was “matter of principal” that he won on, as E.A. Meredith the railroad surveyor diverted the rail bed to be placed on the other side of the Colorado River below the cliffs.

As the excursion trains were passing by the Thompson Ranch on their way to the Railroad Days celebration in Hot Sulphur Springs on September 15, 1905 Ute Bill danced with joy knowing that the “Iron Horse” was NOT allowed to disturb the sacred tipi grounds of the Utes! Ute Bill forgot his grievances and presided over a vast fish fry and barbeque of elk on July 4, 1906. The last cattle trail drive out of Grand County was conducted by 2 aged pioneers, Sam Martin of Muddy Creek, and Ute Bill in 1923. Another matter of principal to avoid paying railroad costs, but of great sentimental value of all the past cattle trail drives. Ute Bill & Mabel both entered St. Luke’s Hospital in Denver for surgery in late February 1926. Ute Bill’s first surgery went well, the second did not. Mabel was not able to be with him as she was recovering from her own.

Many Middle Park pioneers visited them to wish them well. Old friend Charles Nines Sr. who retired in Denver from Pine Ridge Agency, South Dakota a Sioux language interpreter and Trading Post owner was with Ute Bill when he passed away on March 19, 1926, one week shy of his 77th birthday. William Jefferson “Ute Bill” Thompson is buried in the Hot Sulphur Springs Cemetery off of Cottonwood Pass, Looking at Elk Mountain and the original homestead.

This article is dedicated to Lorna Marie Gowen; September 6, 1954-April 14, 2006