In 1900, while visiting in Washington, D.C., Chauncey Thomas, a nephew of William and Elizabeth Byers, wrote ‘Snow Story, or Why the Hot Sulphur Mail was Late’.  When the great British author, Rudyard Kipling, read the piece, he pronounced it the ‘best short story by an American’.

The opening paragraph of the ‘Snow Story’ reads as follows:  ‘Berthoud Pass is a mighty pass.  It is the crest of a solid wave of granite two miles high, just at timberline. Berthoud is a vertebra in the backbone of the continent.  It is the gigantic aerial gateway to Middle Park, Colorado - - a park one-fifth as large as all England.  The mail for this empire is carried by one man, my friend Mason.’   The story goes on to describe Mason’s winter trip over Berthoud Pass into Middle Park where he encountered extreme winter blizzard conditions, an avalanche and Salarado.

Chauncey Thomas, a native son of Colorado Pioneers, was born in Denver in 1872 and died there in 1941.  At the age of three, Chauncey suffered his first loss.  ‘The light went out of my left eye forever.  A pair of scissors did it’, he said.  At age nine he received his first weapon, a .22 caliber revolver, and promptly shot himself in the foot.  No matter.  Forever after, firearms fascinated him.

He attended Gilpin and East Denver High School where he was a military cadet, but except for military drill and mathematics, school interested him very little.  After graduation and college attendance at Golden, Colorado and Lake Forest, Illinois, he found his way to New York City. Here, he worked as an editor for well-known magazines - McClure’s, Muncey Publications, and Outdoor Life (among others) and hobnobbed with the likes of Ida B. Tarbell, S. S. McClure, Jack London and Frederic Remington.  He returned to his home town and occupied himself more and more with Denver’s historic past.  

On the night of September 23, 1941, in his garret room at 1340 Grant Street, he took up a scrap of paper and wrote: ‘stroke--agony’.The next morning a neighbor found him, pistol in hand, dead.  Two years later, at Berthoud Pass on a mountain that bore his name, Chauncey Thomas was honored.  Dr. LeRoy Hafen the Colorado State Historical Society’s historian and the Colorado Historical Society dedicated a monument to him on which was inscribed, Chauncey Thomas: Sage of the Rockies.

Excerpts of this article are courtesy of Colorado Historical Society & Grand County Historical Association. The publication ‘Snow Story, or Why the Hot Sulphur Mail was Late’, written by Chauncey Thomas, is available in the History Stores at Cozen’s Ranch Museum and Pioneer  Museum

Maggie and Jimmy Crawford came to Middle Park in the summer of 1874 with their three children. They were given a piece of property and built a one room sod roofed cabin in Hot Sulphur Springs. They were probably the first family to stay the winter in Middle Park.

As they settled in for a long hard winter, Jimmy continued exploring lands to the west. He found prime land near a spring that made a unique chugging noise. That sound reminded him of the steamboats on the Missouri River back home. After that winter, Maggie returned to Missouri with her family, while Jimmy built a cabin on the new filing, which would later become known as Steamboat Springs, Colorado.

By 1876, Maggie and the children were back in Colorado, and the family became founding members of that new community.
 

November 2007

Betty Cranmer, a longtime Granby resident, says she doesn't like to be in the spotlight. Her modest home with brown siding and roof, tucked into a hill behind a stately spruce tree, reflects nothing of her and her family's past.  Betty's story - full of heartache and triumph - deserves recognition.

She is a World War II veteran, a cancer-survivor, and the mother of five children (her sixth son, Forrest, died when he was 33.) She is the wife of the late Chappell Cranmer, whose father, George Cranmer, is the Cranmer the ski run at Winter Park Resort is named after.  At 86 years old, Betty has lived a fuller life than many - and she shows no signs of slowing down.

She was born in England on Aug. 29, 1921. When she was 18, she joined the Women's Royal Air Force and was stationed at a burn and plastic surgery hospital, later named Queen Victoria Cottage Hospital. Deep down, she had wanted to be stationed at a fighter station instead - closer to "where the action was" - because she had just lost her first love, an Australian man, who was shot down by enemy fire.  "My job was to clean up burns, which were very bad," Betty said. "A lot of them didn't have eyelids, or their noses were burned off."

Betty was fascinated by the way the doctors would build up the soldier's faces by skin grafting, she said.  "It was very interesting, once you get over the smell of burns, and get into the feeling you're doing a service for those people," she said. Betty served at the hospital for four-and-a-half years. Her home was in a small town in Sussex, 30 miles from the south coast of England. The town was sometimes known as "bomb alley" during the war. Because of the town's proximity to London, German planes would often drop their bombs on her town on their way to London, she said.

She recalled pilotless planes - "big bombs with wings, nothing else" - and running for cover, although there wasn't any. She recalled the Battle of Britain, and how the sky was "almost black" with hundreds of German planes. One night, as she was working at the hospital, a young pilot from Denver was brought in. He was a member of the Canadian Air Force who had crashed in the North Sea, and spent 14 days on a dingey with no food or water. When he was finally found, semi-conscious, he was brought to a nearby hospital. "When they took his boots off, his toes came off, because they'd been immersed in water and cold for so long," Betty said. "So they sent him down to our hospital to see if we could do some grafting on his feet."

After a year of treatment, however, there was nothing the hospital could do for the young pilot; to save his life, they amputated his legs, and he was forced to use a wheelchair.  He and Betty struck up a friendship, and she would often take him to town where they'd visit the cinema or local pub. Eventually, they fell in love.

One day after leaving the cinema early because Betty had to return to work, they were heading down a hill toward the hospital when a German plane flew over them. Both of them were in uniform.  "I said, "My goodnesss!? There were no sirens, nothing ."  The plane circled and opened fire.    "I was so frightened, I let go of his (wheel)chair. Thankfully he grabbed the front wheels and was able to stop himself."

Betty and the young man returned to the hospital safely, but the attack had brought in many casualties. Eighty people were killed and 250 were wounded. The cinema they attended was destroyed by a single bomb. Betty's eyes glaze over as she remembers how lucky they had been to survive that day.  "I wasn't a believer ... I didn't know there was a God in those days, because when you're in a war, well ... But I think then, by the grace of God, we got out of that."   Betty and the pilot were married in the mid-1940s, and had a daughter named Susan after the war ended. Although the war was over, life wasn't any easier, Betty said.  "It's hard for people who were in the war in England to describe rationing to people in this country. ... We had two ounces of meat per week, per person. You could not buy anything in the shops at all without giving up coupons. Two ounces of butter, four ounces of sugar."

Betty was pregnant with her second child when her husband died suddenly due to complications. Before his death, he told her to move to Denver where his father lived. It was 1946, and America offered a better life. Betty took Susan and all that they had and moved to Denver; she first set foot on American soil in May 1946, where she eventually had her second child, Holbrook.
Two years later, she met Chappell Cranmer, who was an investor at the time. They were married and had four children: Allen, Bruce, Genie and Forrest, and lived in Denver for 25 years. In 1969, her husband decided to move to Granby.  "He attended seminary school and was ordained as a priest," Betty explained. "The Bishop said, I want you to move to Granby.' "Betty joined her husband one year later, and they bought a home she would continue to live in the next 37 years.

Chappell, or "Chap," started a church in 1981 called St. Columba Chapel - later named Cranmer Chapel - that is located behind the Silver Screen Cinema in downtown Winter Park. It is there to this day and is a vital part of the local community. Betty and her husband continued to visit England every two years to see her parents, but in 1994 she was diagnosed with cancer in her abdomen. Betty beat the cancer - despite a doctor's prognosis that she had three weeks to live - and would go on to fight and survive two more major bouts of cancer.

Chap died in 2000, two years after Betty fought off colon cancer. She continues to travel, and has just returned from a trip to England and Spain with her son.  As she sits in her couch chair, her white and gray hair framed by the sun peeking through her window, one can't help but be in awe of Betty Cramner. Her home is immaculate but cozy and inviting, and the rooms are filled with photographs of children and grandchildren. She loves living in Granby, she said, where everything is close by.
"I'm very independent. I don't like driving in big blizzards and stuff like that, so I can walk to the library, the post office, the church every Sunday. ... So I like living here. I couldn't live in a big city anymore."

Betty knows she has led an amazing life, but her humbleness is what makes her unique. As she rattles off her daily routine - snowshoeing, walking, swimming, attending four different Bible studies - she mentions she is a volunteer at Cold Springs, a local greenhouse just up the road. "I love flowers," she said, as she turns and faces her bay window full of geraniums and different types of plants. "Would you like one? I have plenty."

The lights dimmed; mothers had already found their seats after coming from the classrooms where they had put makeup on little children’s faces and checked their costumes to make sure angel wings and halos were secure and costumes were on right side round.  I was at the piano, music and script lined out. The gym was full to the brim, every seat taken, with folks lining the sides and back walls, for the whole town had turned out.  Early birds got the seats!  Christmas wasn’t Christmas in the Fraser Valley unless it included the program at Fraser School (now the Town Hall).   I began the overture and chatter stopped.   I had played for this event for ages, starting in 1958.  High school students were gone by then, moved to the new Union High School in Granby, but 7th and 8th graders were still there.  And in 1958, the first kindergartens in the district were established.   It was a time of excitement and anticipation, of fun, and of panic? Well, no, not panic, for the teachers were beautifully organized. 

The program was chosen during October. Each teacher had a specific job. For instance, Martha Vernon, the art teacher, did sets.  Helen Hurtgen was responsible for dialog.  Edith Hill did costumes.  Nancy Bowlby was in charge of the music.  Others coordinated the whole.  And I played the piano, with Nancy sometimes accompanying me on her violin.  

Mothers were asked to contribute sheets and any fabric they could spare.  Patterns and material for costumes went home to be sewn into various sizes and shapes -- angels, gingerbread men, knights or royalty.  In the gym, we stitched on finishing touches, bright patches to decorate jester outfits, townspeople, and such, while watching various groups practice. Bits of tinsel became crowns, tinfoil turned into wands, cheesecloth into wings.  Lace scraps and sequins added color and “class.”   The budget was extremely minimal at first, but over the years, more money was directed to Christmas programs.  Instead of old sheets, we could buy cotton fabrics, velveteens, sometimes satin.  One year I even stopped by a furrier’s in Denver and begged some fur scraps.  Were we uptown then!  We had fur trim around the necks, cuffs, and hems of the costumes for the prince, queen, and king.  

The day before the play, PTA mothers gathered in the gym to fill brown paper sacks with an apple, orange, nuts, and candies, provided by R. L. Cogdell from his grocery store.  

Every single child in school took part in the play, as a class, except for those with speaking parts, of course.  Fraser grew and grew, then as now. Soon the 7th and 8th grades moved to Granby.  Then the 6th graders went, but the 4th and 5th graders handled the leads neatly.  Our stories were usually simple Christmas tales, but sometimes we tackled ambitious efforts such as the Nutcracker Suite or a version of Gilbert and Sullivan.   The only children not included were the Jehovah Witness youngsters.  They couldn’t be in the play and they couldn’t come watch it either.  We all felt very sorry for them, because everyone had such a wonderful time.  Their teachers tried to give them special projects to entertain and interest them while they sat off in a corner or in their classrooms.   The plays always went well.  Tiny kindergartners came out onto the stage, to stand behind the colored lights.  They knew their song perfectly in practices, but I have to admit that a number of them usually stood silent, stunned by that mass of faces looking up at them.  No matter.  They were darling. “Hi, Mom,” some were sure to call. “Mom” beamed.  

There might be a glitch or two every year. For instance, little Diane was chosen to do the Arabian dance in Nutcracker Suite.  Her parents were dark, as she was, and she was slender as a dancer. Trouble was, she didn’t have an ounce of grace in her body at that stage of her life.  I thought Nancy Bowlby was going to have grey hair before she got that child moving properly.  But the night of the program, Diane looked like Anitra herself, doing her exotic dance.   One year the king jumped his cue and entered on stage.  His first words were, “Did I miss anything?”  The prince muttered, in an aside, “Yes, three pages!”  But the cast went on as if nothing had happened, while down at the piano I sat, flipping pages rapidly, trying to figure out where the dialog was now.  

Another year, our son James was to take part in a minuet.  “Uck!  I have to touch a girl?”  By the greatest good fortune, he broke his leg and got to be a guard at the palace door, standing at attention on crutches, while another boy took his place.  (I think he did that on purpose.)   Songs and parts were adapted to the talents of the students.  We had five boys once, who couldn’t talk, dance, sing -- anything.  So they wore monks’ costumes and filed on stage, supposedly singing a Christmas carol, but supported strongly by the cast present.   Another time, Twyla’s parents couldn’t come, so Miss Vernon took her home to get ready. Now, Twyla usually looked like a dirty ragamuffin, but after a bath and hair wash, she truly looked like the angel she portrayed.   For the finale, the entire school came on stage to sing a last carol, with the audience joining in.  Then Santa showed up to distribute the goodie sacks, and the great night was over.  Coming out into the quiet night was a wonderful feeling.  Sometimes we moved through drifts of new falling snow; sometimes the sky was filled with icy stars.  Gay lights showed in windows throughout town. 

We never talked much on the way home, as we thought of the play, the success of everyone¹s efforts, and how happy the children had made their parents and families.   My last program was the first year after the new school was built.  It was fun still, but the school population had grown enough that it was impossible for whole classes to participate as one. Things weren’t the same as they were in the little old school.