Joseph Wescott was born in 1838 in Nova Scotia and reared in Iowa.  By 1865, he was in Middle Park, squatting, half-blind and semi-alcoholic, in Hot Sulphur Springs with his friend Charlie Utter.  

Having come to Colorado to get relief from rheumatism, he passed his time in creative writing, fishing, drinking, and shooting his revolver.  In 1868, after being induced to sell all of his claims of 160 acres around the hot springs, he left Hot Sulphur Springs to go to Grand Lake.

In 1870, a group of Arapahoe Indians arrived in the area and there is an unverified report that Wescott, Jack Sumner, and three fishermen killed “not less than five” of the Indians.  Soon after this incident, Wescott settled into developing a rustic resort with cabins, rafts, canoes, and skiffs on Grand Lake.

By 1879, he had three buildings on the West Shore. In July 1880, disaster struck when Edward Phillips Weber, an attorney, took over Wescott’s original filing as his own.  Weber claimed that there were “flaws in the filing” and forced Wescott out.

Nevertheless, on June 26, 1888, Wescott filed a plat for “Grand Lake City,” on the lake shore south from the inlet.  He designed the area for summer visitors rather than as a residential community. 

Wescott later wrote a famous poem about the legend of Grand Lake, and how the spirits of the lost Ute women and children can still be heard wailing on foggy mornings at the lake shore.
 

In Grand County during the 1920's, you might have been lucky enough to have taken a plane ride over Grand Lake with Charles Lindbergh.  It may sound preposterous, but Gordon Spitzmiller and his father, Gus, were two of the many fortunate people who got private sightseeing tours over the Grand Lake area with Charles A. Lindbergh as tour guide.

In the early 1920's, the aviation industry was a brand new field open to the adventurers, the thrill seekers and the adventurous.  Charles Lindbergh was one of those men.  In the spring of 1926, Lindbergh had the dream of flying solo over the Atlantic Ocean, from New York to Paris nonstop.  He was a determined man and was resolved to be the first man to cross the Atlantic and win the Orteig Prize.

On May 22, 1919, Raymond Orteig of New York City offered a prize of $25,000 "to be awarded to the first aviator who shall cross the Atlantic in a land or water aircraft (heavier-than-air) from Paris or the shores of France to New York, or from New York to Paris or the shores of France, without stop."

Besides Lindbergh, there were four serious contenders for the Orteig prize, one of which was Commander Richard Byrd, the first man to reach the South Pole.  Lindbergh's courage and enthusiasm for such a flight were not enough; he needed financial backing.  Lindbergh found his financial answer in Harry H. Knight, a young aviator who could usually be found bumming around the Lambert Field in St. Louis.  This was the beginning of the Knight-Lindbergh partnership that would soon change the course of aviation history. 

After being denied any financial assistance by several of St. Louis's businessmen, Lindbergh made an appointment with knight at his brokerage office.  Knight, the president of the St. Louis Air Club, was fascinated with Lindbergh's plan and called his friend, Harold M. Bixby, president of the St. Louis Chamber of Commerce.  Bixby also displayed a strong interest in the obscure stunt flyer and mail pilot.  Together Knight and Bixby formed an organization called "the Spirit of St. Louis", which was dedicated to gathering funds for the flight.  More than $10,000 was needed in order to build a single engine plane and acquire the proper equipment.

Knight went to his father, Harry F. Knight, who was a major power in the realm of finance and an equal partner in the firm Dysart, Gamble & Knight Brokerage Company.  Like his son, the senior Knight was interested in the aviation field and backed every effort to make America conscious of airplane transportation.

Without the financial aid and moral support offered by the Knight family, Charles Lindbergh may not have been able to cross the Atlantic in 1927.  Lindbergh's gratitude to these two men never ebbed.  Lindbergh and, his famous wife Ann Morrow, came often to Grand County as guests of Harry F. Knight whose ranch encompassed 1,500 acres on the South Fork of the Colorado River.  The ranch today is covered by the waters of the Granby Reservoir.

Knight, a nature lover, spent much of his time at this ranch.  It was a haven for sportsmen and adventure seekers, and Lindbergh was a natural for these two categories.  One of the largest and best airstrips in the west was added to the Knight Ranch in order to accommodate the owner and his guests.  Besides the airstrip, the ranch boasted a miniature golf course, a 28 room estate, a private guest "cabin", a good selection of livestock and an array of entertainment that would suit all.  It was a sanctuary for the affluent.

Local people were so enthused about the handsome aviator that they named a 12,000 ft. peak in the Indian Peaks Wilderness Area (east of Granby) "Lindbergh Peak". However, during the 1930's the hero was honored by Adolph Hitler and Lindbergh made a speech favoring Nazism.  This lead to a fall from grace in the eyes of the public.  Even though Lindbergh changed his mind as World War II began, it was too late to regain his former popularity. The peak was renamed "Lone Eagle Peak" which was a nickname for the famous aviator.

After Harry F. Knight died of coronary thrombosis in 1933, his son, along with ranch manager Harry Morris, turned the ranch into a major breeding and beef cattle operation.  It continued as such until 1948, when the Knights were asked to sell it to the federal government or have it condemned to make way for the reservoir.  Moss bought out the cattle operation and most of the buildings were sold, but the colorful memories of the Knight ranch were buried in the depths of Granby Reservoir.

Article contributed by Corinne Lively

There were two Redwood Fishers, grandfather and grandson, who made significant contributions to the development of the Grand Lake area. 

One of the earliest pioneers was the senior Redwood “Woody” Fisher, born in Urbana, IL in 1839.  He learned surveying skills in New Jersey, and received a degree in Civil Engineering in New York City, where he met his future wife, Louise Perrenoud.  He arrived in Denver in June 1860 and borrowed money to purchase his first surveying instruments.  His bride to be, her two sisters and widowed father arrived in Denver in July 1862 in a mule drawn ambulance. They had traveled for six weeks from Omaha to deliver the vehicle which was used as an ambulance and hearse.  The first marriage license in Denver was issued to Woody and Louise, and their wedding took place May 6, 1865. 

The day after his marriage to Louise, Woody joined General Hughes and E.L. Berthoud as Chief Surveyor in building the wagon road from Denver to Provo, Utah over Berthoud Pass.  The expedition followed a route laid out by Jim Bridger. 

Woody held the offices of Denver city and county surveyor and county commissioner.  He was foreman of Hook and Ladder Co. #1, and helped fight many Denver fires. 

In May 1870, Woody was killed attempting to stop a runaway team of horses at the corner of California and 14^th Streets.  While trying to save the lives of several children, he fell and the wagon wheels ran over him.  Woody left his wife with three children, Louise, Charles and Ella.  He is buried in Riverside Cemetery.

Redwood must have spoken in glowing terms about his time in Grand County since his son Charles, only two when his father was killed, spent most of his life near Grand Lake, built a summer home on the North Inlet below the Rapids Lodge, purchased 160 acres on the east side of the Colorado River from the Fred Selak estate.  He died here in August 1945.  Charles and his wife Sara had a son in May 1907, whom they named Redwood.

The junior Redwood “Red” Fisher also spent most of his life in the Grand Lake area.  He was an early Park ranger and helped stock many of the high lakes on horseback.  After his marriage to Helen Schultz in 1928 he started ranching below the present Shadow Mountain dam on land purchased from Mrs. Cairns.  He later acquired the 7V/ on Stillwater Creek.  He was President of the Colorado Dude Ranch Association in 1947 and traveled to conventions in Chicago and elsewhere promoting Colorado’s guest ranches with displays of fancy roping and riding.  His own dude ranch, Fisherancho, was on the land below Shadow Mountain Dam and served guests until the 1950s.  The barn still stands, and is now part of the Arapahoe Recreation Area. 

Sources:
Lela McQueary, Widening Trails, World Press, 1962
Middle Park Times, August 12, 1945 and May 6, 1993
Colorado Families: A Territorial Heritage, CO Geneological Society, 1981
Brand Book, Middle Park Stock Growers Assn.
BLM General Land Office Records
Conversations with local decendant Toots Cherrington

Before the invention of seeding machines, a farmer or rancher would walk across his field in a straight line carrying a bucket or sack of seed with one hand. With his other hand he would fling fistfuls of fertile grain in a wide arc in front of his path. On reaching the end of the field, he would refill his bag, move over a few yards and repeat the process on the way back. After hours of walking and the casting of numerous sacks of seed, one handful at a time, the field would be planted.

I guess I was about 13 or maybe 14 when my father decided to plant timothy and clover on the east half of the meadow on the mesa. The area to be planted was probably forty acres or more that the ranch had leased to a Hindu man to grow lettuce and other truck crops. For several years we had gotten free lettuce for our table and our milk cows had loved the turnips from his harvest that were either too big or too small to be sold. I guess the profits from his work weren’t very good and the risk of growing lettuce in the rainy valley was too high. The Hindu had abandoned his lease and we would now put the water and the land to our own good use. Since we had no seeding equipment, we would broadcast the seed by hand. It would take hundreds of pounds of it to do the forty acres.

I was eager to help. Dad looked skeptical but finally agreed to let me try. After a bit of instruction he sent me off across the field. “Remember,” he had said. “You have to spread it even and don’t miss any spots.” I soon developed some regrets about volunteering. Not only did we have to plant the field once, but we had to plant it a second time as well. It seems that a planting of timothy and clover grows only a few inches high the first year and doesn’t produce a harvest. In order to avoid losing an entire season, it was customary to plant a second crop on top of it. In our case, Dad had chosen oats for the second planting. This choice would produce lots of feed right away even though the growing season in the Fraser Valley was too short to yield any grain. We planted the hay crop on one day and the oats the next.

I was exhausted by the time we had finished. In fact, if memory serves me right, Dad did the last five or ten acres by himself. When fall came, we had oats four feet high. They were cut, stacked like hay and fed out the following winter. The year after, there was beautiful timothy and clover that has continued to produce a fine crop for more than 60 years. When I visit friends on Ranch Creek every August, I drive by our field both coming and going.

Each time I see it, I remember my work and experience a sense of joy and accomplishment. All the things I produced over a professional career of nearly 40 years are now obsolete but the timothy and clover seeds planted so long ago are still growing. They will continue to do so until the Hurd Creek Ranch sells its water right and the field dries up. In our modern world, a 40-acre field of timothy and clover isn’t much. But how often, today, does a teen-ager have the opportunity to do work that will serve for a lifetime?

The above material is copyrighted by the author, Robert K. Peterson. Reproduction is any form is limited to the personal use of the view and/or to educational purposes. Neither the sale of nor any other commercial use of the text or illustrations is authorized.