Article contributed by Karen Wischnack

Born to a Wisconsin doctor in Chicago November 12, 1916 was one of seven skiing sons by the name of Stephen J. Bradley.  His talents in skiing showed up at a very early age.  By the time he was attending Dartmouth College his talents were apparent and was a top competitive skier.  He skied in the slalom, downhill, jumping and langlauf while on the college's team.  Steve then was called to serve his country during the World War II Army service.  After his discharge he then attended and coached skiing at Colorado University. 

In 1950 Steve became Winter Park's executive director.  During his employment at Winter Park he guided it from a four rope tow/three T-bar local ski area to a major resort of 770 acres with 13 chair lifts.  His brilliance in design led to the Balcony House, the Base Lodge which was one of the first ski area structures to utilize solar heating, the restaurant in the midway proved to be a model for the "scramble" system of food service and then there's the Mary Jane section of Winter Park which was another one of his talents.

Stephen was given the name "Father of Slope Grooming" in 1952 when he then invented the famous Bradley Packer-Grader when experimenting with slope grooming.  The invention was a one man gravity-powered slope grooming device which revolutionized the ski maintenance industry.  Nick-named "the Purple People Eater".  This machine was a mogul-cutting snow groomer that was 5-foot-wide corrugated culvert that a skier would drag down hill or as they said " A hardy mountain crewman" who risked his life by being devoured by the spinning rotor.  As skiing became more popular, skiers started demanding that the slopes be groomed.  Nature was no problem but not everyone wanted to ski moguls.  This Bradley Packer was a way to reduce the mogul's and keep snow on the trails by flattening the snow.  "It was a pretty scary thing" supervisors claimed.  Grooming was soon transferred to a line of tracked vehicles now known a "Snowcats". 

Stephen served as President of the NSAA (National Ski Areas Association) and helped organize Colorado Ski Country USA and the Colorado Passenger Tramway Safety Board before his death in Longmont November 13, 2002.  You can find him as an honored member of the Colorado Ski Hall of Fame and in the National Ski Hall of Fame.

 You gotta love a mystery! My curiosity rose, my anticipation of being the one with the real story was more than my appetite could stand. I looked at pictures, figured angles, mused at what other people said, reviewed topographic maps and finally said to myself “it just can’t be.” The terrain doesn’t look like that. It isn’t two miles from the last switchback on Hwy 40. I don’t care what the writing on the back of the pictures say. 

I want to know once and for all, where is the real location of Spruce Lodge? How can it be located so everyone will agree. I’ve got it, find an expert wilderness person with my same curiosity. As fate would have it, entered Debora Carr, author of Hiking Grand County Colorado, complete with pictures, maps, GPS coordinates and trail narratives. Her coauthor Lou Ladrigan also caught the bug. “We can find it.” 

Exploration began early in the spring but the snow was just a little too deep to find any artifacts. Failed attempt, but the appetite was there. Wait till the snow melts in the trees. Again, as fate would have it, entered Carol Hunter. Carol has been instrumental in the efforts to resore the Berthoud Pass wagon road. Carol has lots of maps and pictures of the development of the wagon road and just happened to have an original U.S. Bureau of Public Roads 1920 survey map for the construction of Hwy 40 from Empire to Fraser. I loaded it into the computer, expanded the image and found lots of strange numbers. Almost like mile markers. Carol said they were numbers used by the work parties. They seemed evenly spaced and the map had a distance legend. It even had a marked location for Spruce Lodge. I couldn’t wait to add this map to Deborah and Lou’s reference material.

Armed with new references, Debora and Lou hiked both sides of Hwy 40 from the switchback to the entrance to Mary Jane. Looking for artifacts, existence of remnants of the old wagon road, foundations and terrain that matched the photos in the GCHA collection. A couple places looked promising, but not quite. Finally, a white station post number 390 was found lying on the ground on the west side of today’s Hwy 40. Then another white station post was found to the south, number 380. That was a match! Just what we needed. That confirmed the surveyor L.J. Young’s map. To the south of 390 a flat part of ground revealed what looked like part of a foundation and surrounding the location were remnants of discarded cans and possible buildings. A two holer! Now check the terrain with the pictures. Well maybe. Don’t forget that Hwy 40 didn’t exist. Step back and look from the east side of the existing Hwy. A great match with the slope and tree line. This was it! Just .9 miles North of the last switchback.

The lights dimmed; mothers had already found their seats after coming from the classrooms where they had put makeup on little children’s faces and checked their costumes to make sure angel wings and halos were secure and costumes were on right side round.  I was at the piano, music and script lined out. The gym was full to the brim, every seat taken, with folks lining the sides and back walls, for the whole town had turned out.  Early birds got the seats!  Christmas wasn’t Christmas in the Fraser Valley unless it included the program at Fraser School (now the Town Hall).   I began the overture and chatter stopped.   I had played for this event for ages, starting in 1958.  High school students were gone by then, moved to the new Union High School in Granby, but 7th and 8th graders were still there.  And in 1958, the first kindergartens in the district were established.   It was a time of excitement and anticipation, of fun, and of panic? Well, no, not panic, for the teachers were beautifully organized. 

The program was chosen during October. Each teacher had a specific job. For instance, Martha Vernon, the art teacher, did sets.  Helen Hurtgen was responsible for dialog.  Edith Hill did costumes.  Nancy Bowlby was in charge of the music.  Others coordinated the whole.  And I played the piano, with Nancy sometimes accompanying me on her violin.  

Mothers were asked to contribute sheets and any fabric they could spare.  Patterns and material for costumes went home to be sewn into various sizes and shapes -- angels, gingerbread men, knights or royalty.  In the gym, we stitched on finishing touches, bright patches to decorate jester outfits, townspeople, and such, while watching various groups practice. Bits of tinsel became crowns, tinfoil turned into wands, cheesecloth into wings.  Lace scraps and sequins added color and “class.”   The budget was extremely minimal at first, but over the years, more money was directed to Christmas programs.  Instead of old sheets, we could buy cotton fabrics, velveteens, sometimes satin.  One year I even stopped by a furrier’s in Denver and begged some fur scraps.  Were we uptown then!  We had fur trim around the necks, cuffs, and hems of the costumes for the prince, queen, and king.  

The day before the play, PTA mothers gathered in the gym to fill brown paper sacks with an apple, orange, nuts, and candies, provided by R. L. Cogdell from his grocery store.  

Every single child in school took part in the play, as a class, except for those with speaking parts, of course.  Fraser grew and grew, then as now. Soon the 7th and 8th grades moved to Granby.  Then the 6th graders went, but the 4th and 5th graders handled the leads neatly.  Our stories were usually simple Christmas tales, but sometimes we tackled ambitious efforts such as the Nutcracker Suite or a version of Gilbert and Sullivan.   The only children not included were the Jehovah Witness youngsters.  They couldn’t be in the play and they couldn’t come watch it either.  We all felt very sorry for them, because everyone had such a wonderful time.  Their teachers tried to give them special projects to entertain and interest them while they sat off in a corner or in their classrooms.   The plays always went well.  Tiny kindergartners came out onto the stage, to stand behind the colored lights.  They knew their song perfectly in practices, but I have to admit that a number of them usually stood silent, stunned by that mass of faces looking up at them.  No matter.  They were darling. “Hi, Mom,” some were sure to call. “Mom” beamed.  

There might be a glitch or two every year. For instance, little Diane was chosen to do the Arabian dance in Nutcracker Suite.  Her parents were dark, as she was, and she was slender as a dancer. Trouble was, she didn’t have an ounce of grace in her body at that stage of her life.  I thought Nancy Bowlby was going to have grey hair before she got that child moving properly.  But the night of the program, Diane looked like Anitra herself, doing her exotic dance.   One year the king jumped his cue and entered on stage.  His first words were, “Did I miss anything?”  The prince muttered, in an aside, “Yes, three pages!”  But the cast went on as if nothing had happened, while down at the piano I sat, flipping pages rapidly, trying to figure out where the dialog was now.  

Another year, our son James was to take part in a minuet.  “Uck!  I have to touch a girl?”  By the greatest good fortune, he broke his leg and got to be a guard at the palace door, standing at attention on crutches, while another boy took his place.  (I think he did that on purpose.)   Songs and parts were adapted to the talents of the students.  We had five boys once, who couldn’t talk, dance, sing -- anything.  So they wore monks’ costumes and filed on stage, supposedly singing a Christmas carol, but supported strongly by the cast present.   Another time, Twyla’s parents couldn’t come, so Miss Vernon took her home to get ready. Now, Twyla usually looked like a dirty ragamuffin, but after a bath and hair wash, she truly looked like the angel she portrayed.   For the finale, the entire school came on stage to sing a last carol, with the audience joining in.  Then Santa showed up to distribute the goodie sacks, and the great night was over.  Coming out into the quiet night was a wonderful feeling.  Sometimes we moved through drifts of new falling snow; sometimes the sky was filled with icy stars.  Gay lights showed in windows throughout town. 

We never talked much on the way home, as we thought of the play, the success of everyone¹s efforts, and how happy the children had made their parents and families.   My last program was the first year after the new school was built.  It was fun still, but the school population had grown enough that it was impossible for whole classes to participate as one. Things weren’t the same as they were in the little old school.

Real Estate and land ownership have always been important to the Granby area. With the passage of the 1862 Homestead Act by Congress, the West, including the area around the current town of Granby, began to be settled with hardy, ranching pioneers. The opportunity to own land was often made possible by homesteading.   This lured many settlers to the area.

As Congress adjusted the homesteading rules over the years to allow for larger acreages which would support ranching in the Middle Park, towns began to grow. Ranching, mining and especially the railroad fueled the growth. In 1902, railroad visionary, David Moffat, set events into motion in Denver to build a steam railroad from Denver to Salt Lake City which would be built over Rollins Pass.   This was a monumental task which led to the founding of the town of Granby.

Mary Lyons Cairns observed in her book, “Grand Lake in the Olden Days,” “Granby came into being with the Moffat Railroad, which reached that point in September, 1905. The town site was laid out on a piece of land which was part of a homestead and part of a pre-emption taken up by James Snyder from the government. Mr. Snyder sold this land to David Moffat who had the town site surveyed and platted in 1904, and a man named Hunter auctioned off the lots.”  

The lots on the town plat were 12 blocks and a Block “A.” Each block, except Block 12 and “A,” would have 32 lots. Each lot would be 25 feet by 125 feet. Block 12 only had 20 lots. Block “A” only had four smaller lots. David Moffat and the railroad in the form of the Frontier Land and Investment Company designed the town streets so that the southern boundary of the town was Agate Avenue, the western was First Street, and the northern boundary was Garnet Avenue. A variation in terrain in between Block 12 and Block “A” created Opal Avenue that would lead down Fifth Street which would be the eastern boundary of the new town of Granby.    

The new town streets were named Agate, Jasper, Topaz, Garnet and Opal, all precious gems which might reflect the mining heritage. But, in the King James version of the Bible in the Book of Revelation, Chapter 21, Verse 19, heaven is described as, “And the foundations of the wall of the city were garnished with all manner of precious stones. The first foundation was jasper…” Other streets and foundations are described as being made of precious gems such as topaz and chalcedony. Agate is described in the dictionary as a variegated variety of quartz or chalcedony.   Maybe the founders thought Granby was “heaven on earth.” Or, at least the real estate marketers wanted buyers to think that.

The real estate advertising in the December 16, 1905, Grand County Advocate showed V.S. Wilson as the local real estate agent for Granby. He also was the newspaper editor and became Granby’s first mayor on December 11, 1905. With that background, hyperbole and adjectives must have been in his blood.   “Now is the time to buy property at Granby-The newest and best town on the ‘Moffat Road.’…It would be a Happy Christmas investment. Do it now,” was part of the ad copy.  Mr. Wilson became one of the first land owners in Granby buying lots 18 and 19, Block 7 on Topaz from Frontier Land & Investment in November, 1905.  

When the railroad’s real estate company founded Granby in 1905, local historian, Betty Jo Woods, said the new town location was chosen because it had great connections with the stage route to Grand Lake, was mostly dry ground, and had pleasant views. As they say in real estate, the three keys to successful land investing are “Location, location, location!”   The locations of many of the historic buildings were on the north side of Agate Avenue. According to photographs and written explanations by the late Vera Snider, in 1920, on “main” street, one of the only buildings on the south side of the street was the firehouse which protected the fire pumper and hoses. The post office was also on the south side.   Vera Snider later arranged for the preservation of this historic structure built in 1910 by moving the first post office building in the 1960s from 458 East Agate where it had stood for over 50 years to its present location at 170 2nd Street.

According to the current owner of this historic structure, Deb Brynoff, “When Ron, my husband, was remodeling he found old letters in the wall from when it was the post office building.” It was not unusual during the early years of construction for letters and newspapers to be “stuffed” into the walls to help increase what little “R-factor insulation” existed.    Other early buildings which still exist in Granby are a home at 127 4th Street which was built in 1909. The current Re/Max Granby office at 247 Agate was a home originally built in 1909. Other early Agate Avenue buildings still thriving are Crafter’s Corner at 295 East Agate built in 1913 for the Granby Mercantile. Local lore says the basement was used as a temporary morgue during the 1918 flu pandemic. However, no historic research has yet been found to document this information.  

Research on High Country Motors at 277 East Agate reveal it was originally Middle Park Auto which grew up with the town of Granby. The tax rolls indicate 1913 for the birth of this building. The business was “born” in 1915 when Jack Schliz founded Middle Park Auto. During Granby’s early years this was a hub for locals. It even included a small medical-first aid station inside it before Granby had any local medical services. In 1938, the business was sold to Glenn Pharo and Morris Long. Later, Jack Shield was associated with the business. The authorized Ford dealership was later purchased by Fred Garrett, who later sold it to Mike and Kimberly Garrett.   The only constant on Agate Avenue is change. Many of the buildings have a colorful past. For example, the current location of Brown & Company at 315 East Agate was a Texaco Service Station built in the 1930s.

The Long Branch at 185 East Agate is in a building that was Granby’s first strip mall. That accounts for the many doors fronting on to Agate. Built around 1938 for the Craig’s Café, it has housed Olson’s Café, a Laundromat, a barber shop, The Carpet Wagon rug store and Maureen’s Clothing Store to name a few.   The Silver Spur Saloon & Steakhouse at 15 East Agate used to be the Grand Bar and Café run by Dick and Beulah Samuelson from 1944 to 1964. The original business at this location was the lettuce shed where the famous Granby Iceberg Lettuce was delivered by local growers for shipping to the Broadmoor Hotel in Colorado Springs. Some of the original lettuce shed has been incorporated into this building.  

The Dick Samuelson family also has a history with the Granby Mart at 62 East Agate. This building at one time was the home of Bud and Ken Chalmers’ Auto Repair Shop. In the early 1940s, it had a dirt floor when Sonny Samuelson and his Dad bought it. Clyde Redburn had a bowling alley on one side. The Samuelsons later put in more bowling lanes. Upstairs they had a club called “3.2.” At the time, those 18 and older could sip the 3.2 beer served there and dance. At one time Wayne Snyder’s Saddlery shared half of the store.   Sharing a location was the thinking behind the former Minnie Mall located at 480 East Age. Named by local businessman, Jack Applebee, for his mother, Minnie, in the 1980s, many businesses enjoyed the convenient location, The Furniture Store, Hobby Shop, Montgomery Wards, Honey Bear Children’s Clothing, Fabric Nook, Greg Henry’s Get-N-Pack, Radio Shack, Julie Sneddon’s Cards and Gifts, Patti Applebee’s Nimble Needle, Ben’s Aspen Leaf Café and the Shaft Shop which specialized in darts and dart supplies. Today, Granby Medical Center-Centura Health is at this historic downtown location.  

Granby’s historic story from 1905 to 2005 is one of building dreams, homes and businesses to create a community. Chinese Proverb says, “One generation plants the trees; another gets the shade.” How true.
2005